Antique Display Table, English, Stand, After Liberty, Arts & Crafts, Victorian

This is an antique hallway rack. An English, oak Liberty-esque stick stand in the Arts & Crafts taste, dating to the early 20th century, circa 1920. ...

This is an antique fruit bowl. An English, turned oak display dish in Arts & Crafts taste, dating to the late Victorian period, circa 1900. Classically ...

This is an antique sideboard, English, oak, Arts & Crafts cabinet in the liberty taste dating to circa 1900. Of quality craftsmanship in well f...

This is an antique desktop stationery box. An English, oak correspondence case in Arts & Crafts taste, dating to the late Victorian period, circa 1890. Striking Victorian craftsmans...

Beautifully stylish and strong antique stand. This very elegant and handcrafted table can be used in all kinds of interiors and for all kinds of purposes. The strong bronze frame stands as firm as the day it was made and the perfectly inlaid black marble top with its stunning veins is in excellent condition also. The style could be described as 'Art Deco meets Hollywood...

Liberty and Co (attributed). An Arts and Crafts Walnut plant stand.

Liberty and Co, attributed. An Arts and Crafts oak plant stand with three tiers and Moorish aprons below each shelf.

Very rare, early 20th century craftsmanship end table. Finding the most beautiful and rarest antiques in the best possible condition is what we dream of and we have been very fortunate to have had many dreams come true. When you look at this Arts & Crafts table then you can see that recently another one did. Conrad Fehn was born in Nuremberg, Germany, but moved to Haarlem, the Netherlands in 1914. In literature he is described, not as a metalworker, but as a 'metal-artist' and when you look at this table (and some of his other work) then you can see why (if you have a good eye). When he opened up his studio in Haarlem around 1917 his Arts and Crafts designs had a very distinctive style, one that very much alligned with the Amsterdam School. The reason why this table is so extremely rare, is because Conrad Fehn was not known for making furniture. His work predominantly involved smaller pieces, such as coasters, bowls, candle holders, some clocks and a few table lamps. Even though this is not a large piece of furniture, we have never before seen a table of his hand. This piece may not be signed or marked, but since we acquired this remarkable table in Haarlem, since it has Conrad Fehn's workmanship and style 'written all over it' and after we asked an expert whom's opinion we highly value, we are convinced this is the work of Conrad Fehn. The pure Arts and Crafts design, the size, the make and the patina of this table are to die for and for such a table to be in this condition simply amazed us. This burnished copper table of circa one hundred years even comes with a near mint table...