Italian Neo-Classic 19th Century Grand Tour Round Marble Mosaic Table

2 Italian Roman Neo-classic rectangular end tables with a mid-18th Century panel decorated in a Pompeiian style faux marble inlaid pattern in a gold frame resting on modern iron base...

Pair of Italian neo-classic-style (19/20th Century) walnut low end tables (stands) carved with a floral and grape design and having a bowl form top. (PRICED AS Pair).  

Pair of Italian Neo-classic (19th Century) white painted and gilt carved pedestal end tables with a round inset faux porphyry top and trimmed edge of a square base (PRICED AS Pair)

Set of 4 similar Italian Neo-Classic (19th Century) white marble relief busts depiction four faces framed by ornately carved hair. (PRICED AS Set) Each bust unique with slightly dif...

French 19th century Grand Tour neoclassical Giltwood Gueridon. Antique French late 19th century Neoclassical Gueridon. This magnificent Gueridon with slender form and classic female caryatids demonstrates the stylistic influence of the Louis XVI period. A concave tripod base supports three hand carved and gilded maiden sculptures...

A Very fine Franco-Italian 19th century neoclassical Revival style gilt-bronze and Pietra Dura (or Pietra-Dure) occasional side-table Gueridon. The circular gilt-bronze frame raised ...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

Nicely carved. Strong and sturdy. In great condition.