Gilt-Bronze Marquetry Inlaid Gueridon, Attributed to Emmanuel Zwiener

A Gilt-Bronze Marquetry Inlaid Occasional Table, Attributed to Emmanuel Zwiener. The reverse of the gilt-bronze sabot incised 'Z' This exquisite table is perfect for a living room ...

A Very Fine Marble Top Marquetry and Gilt-Bronze Commode by Emmanuel Zwiener. The keyhole escutcheon stamped with the ‘ZN’ mark from the bronze master model. The back of the bronze...

A fine Louis XVI style gilt bronze guéridon with a green Breccia marble top, after the model by Adam Weisweiller. Of very fine quality, this elegant guéridon has a circular green ...

A Louis XVI Style Gilt-Bronze Mounted Mahogany Gueridon. This charming occasional table is of an especially useful Size. It has a white marble top with a brass gallery pierced wit...

A French ormolu-mounted kingwood Guéridon by Zwiener, Paris, circa 1890 The associated circular brèchemarble top above a frieze mounted with masks of Apollo, with one drawer and r...

A wonderful late 19th century gilt bronze Mounted Louis XV style Vitrine table by Joseph Zwiener Joseph Zwiener The oval shaped table with a beveled glass top encircled by a bronze frieze, above four side glass panels, the canted angles set with pierced foliate-cast clasps, standing on cabriole legs tapering to scrolled sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modeling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A Pair of 1890-1900 Directoire Style Gilt Bronze and Black Marble Gueridons. Each with very fine ormolu mounts as well as hand-carved marble tops. Exceptional details on the ormolu i...

A wonderful French bronze-mounted gueridon table with amazing exploding sunburst made of rosewood, kingwood and satinwood. Provenance: Woolworth Fa...