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Mid-Century Modern Eva Dining Table by Vladimir Kagan, Labeled Full Dining Set
About the Item
Vladimir Kagan (American, 1927-2016) Eva Dining Room Table, Vladimir Kagan Designs, Inc., USA, circa 1983. Labeled, Fully Refinished
Investment grade Important Designer Dining Set - This listing is ONLY for the 'Eva' dining table. The entire set is available separately.
Birdseye maple veneer, painted and ebony lacquered wood. A stunning dining table (Model 83-310) with two leaves, measuring H: 29, W: 67 1/2, D: 45 7/8 in. The fully refinished stunting table top having a step up apron in ebony with sleek ebony legs. The whole with a double drop down hidden center table support. This original dining table and set is from the personal collection of Kagan for his own home. This is a one of a kind full set of Original Vladimir Kagan design home furnishings. Hand made in the workshops of Vladimir Kagan, Vladimir Kagan Designs, New York"
Two armchairs (Model 83-614), four side chairs (Model 83-615), and a sideboard (Model 83-210) is also available.
The sideboard (H: 32 1/4, W: 95 3/4, D: 21 in.) comprising a center section behind two doors, containing one shelf and one drawer fitted with a cloth flatware organizer, flanked by two side sections, the left with vertical platter organizers, the right with two shelves. Fully Refinished to match table shown in listing.
Applied label to interior of drawer: "Hand made in the workshops of Vladimir Kagan, Vladimir Kagan Designs, New York"
Provenance: Property from the Personal Collection of Vladimir Kagan
(H: 32 1/4, W: 95 3/4, D: 21 in. (sideboard); H: 29, W: 67 1/2, D: 45 7/8 in. (table, without leaves); H: 38, W; 21, D: 24 in. (armchair))
- Creator:Vladimir Kagan (Workshop/Studio, Designer)
- Dimensions:Height: 29 in (73.66 cm)Width: 67.5 in (171.45 cm)Depth: 45.75 in (116.21 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1980-1989
- Date of Manufacture:1983
- Condition:Good. Fully refinished.
- Seller Location:Manhasset, NY
- Reference Number:Seller: 101-91531stDibs: LU863234329482
Vladimir Kagan
The pioneers of modern furniture design in America in the mid-20th century all had their moments of flamboyance: Charles and Ray Eames produced the startling, biomorphic La Chaise; George Nelson’s firm created the Marshmallow sofa; Edward Wormley had his decadent Listen to Me chaise. But no designer of the day steadily offered works with more verve and dynamism than Vladimir Kagan. While others, it seems, designed with suburban households in mind, Kagan aimed to suit the tastes of young, sophisticated city-dwellers. With signature designs that feature sleekly curved frames and others that have dramatic out-thrust legs, Kagan made furniture sexy.
Kagan’s father was a Russian master cabinetmaker who took his family first to Germany (where Vladimir was born) and then to New York in 1938. After studying architecture at Columbia University, Kagan opened a design firm at age 22 and immediately made a splash with his long, low and sinuous Serpentine sofa. Furniture lines such as the Tri-symmetric group of glass-topped, three-legged tables and the vivacious Contours chairs soon followed.
Kagan’s choices of form and materials evolved through subsequent decades, embracing lucite, aluminum and burl-wood veneers. By the late 1960s, Kagan was designing austere, asymmetrical cabinets and his Omnibus group of modular sofas and chairs. For all his aesthetic élan, Kagan said that throughout his career, his touchstone was comfort. “A lot of modern furniture was not comfortable. And so comfort is: form follows function. The function was to make it comfortable,” he once commented. “I created what I called vessels for the human body.”
A diverse group of bodies have made themselves at home with Kagan designs. Among the famous names who commissioned and collected his designs are Marilyn Monroe, Gary Cooper, Andy Warhol, David Lynch, Angelina Jolie and Brad Pitt, and firms such as Gucci and Giorgio Armani. His work is in numerous museum collections, including those of the Victoria & Albert and the Metropolitan Museum of Art.
Because of its idiosyncrasy, Kagan’s work did not lend itself to mass-production. Kagan never signed on with any of the major furniture-making corporations, and examples of his designs are relatively rare. As you will see from the offerings on 1stDibs, even decades after their conception, Kagan pieces still command the eye, with their freshness, energy, sensuality and wit.
About the Seller
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