Granite Dining Room Tables

Iron and pink granite/marble for indoor/outdoor dining. The perfect table for two to four people...truly lovely. The tones range from salmon pink to rusty sienna with veining in ivor...

This exceptionally rare and large 'Kono' table, which works excellent as either a dining table or a desk, by Lella Vignelli and Massimo Vignelli was designed in 1984 and this example created in the mid-to-late 1980s by Casigliani in Pisa, Italy. This rare example of the 'Kono' design features a monumental Black Granite slab for the top, two thick slabs of Imperial Red Granite which connect together to form one of the bases, and the Vignellis signature Patinated Copper cone which forms the other base. The 'Kono' design was normally made as coffee tables so it is quite rare to find examples made scaled up in dining table size. In addition, typical Kono tables were made with glass tops and a single slab granite base. This example however, the Vignellis selected Black Granite instead of the typical glass tops. Also, rather than using a rectangular single-slab base, this example features an L-shaped base constructed with two slabs that connect together along one angled edge. It still employs the cone-shaped patinated copper base typical of Kono tables, however this example is much larger of course than cocktail table versions. The Vignelli Center for Design Studies, which houses the artists’ archive, confirmed this table to be one of two known drawings by the Vignellis (a copy of the Vignelli sketch, which they provided, is included in the photo gallery) though it is unknown if the other table was ever produced, making this table potentially an important one-of-a-kind. The Black Granite top in lower light settings is dark, deep and mysterious. With direct sunlight its luminosity is intense - see the photo gallery for images of the table in direct sunlight from our skylight above. It glows, shines and shimmers with incredible vibrancy, similar to diamonds - to see it in person is quite exquisite and remarkable. While we only had it set up under our skylight for a couple hours, I would describe the experience as recharging - I felt like I had just spent a couple hours meditating, this would be incredible to wake up to every day before leaving to work. The Vignellis described the 'Kono' table as: “This design exploits the relationship between geometrical figures and material finishes." Over the course of their four-decade-long design practice, Lella and Massimo Vignelli collaborated on projects that ranged from product design and brand identity to interior and furniture design. Whether designing New York City’s subway map...

USA, 1970s Round black granite or stone top dining table with a bullnosed edge, resting on a cylindrical brass weighted base. Classic look with modern glam. Top rests on the base wit...

Custom granite dining table with 50 inch knife edge top and custom ribbed-cut cylinder base. This table can easily seat up to six guests co...

Vintage granite dining table with an architectural stepped double base. Amazing natural veining/motive in the stone. Good condition. 1970s - Belgium Height: 74cm/29.13" Width:...

‘True Grit’ is a perfectly imperfect, modern organic, sculptural dining table featuring curiously curated and artfully arranged, rare raw petrified wood pieces. The natural lines, or...

Dining table mod. 'Samo' by Carlo Scarpa. Series 'Ultrarazionale'. Italy, 1970. Manufactured by Simon. Granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino...

Mario Botta for Alias, dining table model ‘Terzo’, metal, granite, Italy, 1983   The ‘Terzo’ dining table features a long rectangular granite tabletop that consists of three parts an...

Handsome Late 20th to Early 21st Century Modern dining table attributed to Bernhardt Cascade comprised of a composite tassel style pedestal base and a round wood veneer inlaid top wi...

This Italian dining table from the 1970s exudes timeless elegance and beauty. It was designed by perhaps one of the prominent Italian modernist designers of the last century. What im...

The Eero Saarinen Tulip Table for Knoll is a classic and iconic piece of furniture that has been a mainstay in modern design since its creation in the 1950s. The table's distinctive ...

A Lotto Rosso / Super Loto dining table designed by Ettore Sottsass and produced by Poltronova, Italy, 1970s. In very good original condition. Fast ship...

Mid-century Modern Italian Black Granite and Brass Dining Table Available. High-impact design dining table made of prestigious Absolute Black granite and brass castings. The four ang...

Designed by Daniel Barbera, the 'Bronze' table is minimal form consisting of Classic geometry on the exterior merged with organic flowing underside. The three legged cast solid bronz...

Tavolo da pranzo "Paracarro", design Giovanni OFFREDI per SAPORITI. Italia, 1973

Post modern design 1980's by Joe D'urso for KNOLL International with metal label and Hand Signed by Joe D'urso. Polished granite table, chrom...

PK 54 Round dining table with granite by Poul Kjærholm for Fritz Hansen.

Organic Modern Gimonde Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde marble dining table is a bold expression of exclusive desig...

The Geometra Dining Table from Katz Studio stands as a minimalist statement, combining the reflective elegance of a polished bronze base with the robust beauty of Adamantium Granite....

48" Herman Miller Eames Aluminum Group Granite Dining Table. Aluminum and metal Base.

Mid Century Modern Stainless Steel Pedestal Italian Granite Round Top Table by Brueton The Mid Century Modern Stainless Steel Pedestal Table by Brueto...

Cool 1980’s polish Chrome and white, gray and black speckled granite dining table base or pedestal by Pace Collection. In beautiful condition minor wear consistent with age. No gla...

Organic Modern Gimonde Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde marble dining table is a bold expression of exclusive desig...

Carlo Scarpa "Samo" oval table for Simon Gavina, granite, Italy, 1971. The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table designed in 1971 for 'Ultrarazionale' collection by Simon Gavina consists of two grooved solid granite pillars...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Mid century hexagonal granite dining table, 1980’s

The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table, designed in 1971 for 'Ultrarazionale' collection by Simon Gavina, consis...

Nice Round Granite Top Dining Table with Ornate Cast Iron Base, Dining Room, Seats 6-8, Regency Materials: granite Measurements: 60" Diameter x 29" H The top has some chips along ...

Elegant Art Deco square outdoor dining table. The wrought iron base is painted a delicate grey color. It has a scrolled apron, cabriole leg...

A jaw dropping monumental granite slab and steel dining table by famed Los Angeles architect Anthony Lumsden - custom designed and crafted for his Los Angeles home in the 1970s. Sleek, modern yet a subtle statement piece, partially due to its large size for such heavy materials, but also for its vibrant deep granite veining which reflects light in a shimmering fashion. *Note, we have this very discounted prior to our upcoming move. Once we ship this table to our new location we will be removing the sale price so take advantage of the incredible deal while it lasts! The thick and large granite slab is heavy with no-doubt, the large chromed steel frame is also very heavy in its own regard - a sign of the quality materials he used. To re-create this staggering piece today would be costly and painfully difficult. Acquiring this dining table, which would also make an incredible conference table as well, is a great opportunity for a collector or architecture aficionado to own something truly unique and special - and something that will stand the test of time. ABOUT THE ARTIST: Anthony Lumsden was a famed American architect most noted for his sculptural futuristic designs with numerous projects in Southern California such as the Tillman Water Reclamation Plant, often seen in Hollywood films and television shows such as Star Trek Next Generation...

Moveis Cantu Dining table, 1968 Workshop label Solid wood and granite top Dimensions: L 200 x W 100 x H 78 cm This 1968 dining table, designed by Moveis Cantu, embodies th...

Very handsome large Art Deco table, with a wrought iron base of neoclassical inspiration. Tasteful design with minimalist lines. The black granite top has canted corners. Raised on s...

Designed by Daniel Barbera, the Spargere table inspired by organism evolution, and how nature uses minimum form yet can create super strong structures. The four legged sandcast solid...

Vintages Springer style granite dining table with bronze banded base Offered for sale is a large and substantial granite pedestal dining table with a bronze banded base. This tabl...

Amadeus Granite Dining Table with Quatrefoil Shape Top, Brazil

A Superb and Unique Bronze and Granite Dining Table. The custom bronze table having a doré bronze top with granite inserts over a steel frame. The whole resting on a patinated and do...

Spectacular Italian dining table made of granite stone. From the 1980’s. It has two granite stone pedestal based one of them has a small chip, other than that the table remains in g...

Charles dining table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. A flowing design with refined details. Charles offers the right combination of materials fo...

Vintage oval dining table designed model Samo, by Carlo Scarpa and Manufactured by Simon, Italy 1970s. Light grey granite dining table with o...

Available today, this midcentury modern Round Dining Table in Hardwood & Granite designed by Jorge Zalszupin, in the sixties is exquisite. The table consists of a granite top and “X” shape base made of steel and Brazilian Rosewood, as known as Jacaranda. The refinished Jacaranda has smooth yellow veins, and the granite has a purple tone with white veins giving an organic look. Besides some marks of age, the table is in excellent condition.The manufacture seal is underneath the granite top. Equally as practical as beautiful, these table will look great with a modern or mid-modern chairs but will also look incredible into a Contemporary, Minimalistic, or even Eclectic environment. The table fits 6-7 people comfortably. In regards the creator, Jorge Zalszupin (1 June 1922 – 17 August 2020) was a Polish-born Brazilian architect and designer, who founded L’Atelier, in São Paulo. He began in the 1950’s decade with craftwork and soon after, to the production in series. Jorge Zalszupin a native of Warsaw, Poland, studied architecture at Bucharest’s Ecole des Beaux Arts. While working as an architect in Paris, he found inspiration in articles about Brazilians Oscar Niemeyer and Roberto Burle Marx and immigrated to Brazil. His work as an architect created a demand for decoration and furniture proposals that suited the style of his projects and, for many years, Zalszupin designed and executed them for his clients. The demand was as great as the desire to grow and expand his business, and he then decided to found Atelier Móveis in November 1959. A significant part of Zalszupin's furniture production is tributary to his architecture. He used new design language and tendencies, while maintaining a functional view of ambience for internal spaces. L’Atelier was a design collective of architects, engineers, craftsmen, and a full-scale team of professionals that did everything from researching materials to finalizing the product. Jorge Zalszupin has developed some of the most iconic models in Brazilian Modern furniture and has grown a lot in popularity in the last few years. The “Petala” Coffee table, “Paulistana” armchair or the “Brasiliana” sofa...

Italian modern Granite and steel dining table Alcinoo by Zeev Aram for Gavina, 1970s Dining table mod. Alcinoo with rectangular top and rounded corners in granite. The structure is m...

This compact yet bold table will help create an oasis in any outdoor space. Made from solid granite with a super polished finish this piece will hold up for...

The Flux dining series comes in nearly endless combinations of shapes, surfaces, and colors. The Flux series can be customized to accomplish any dining design goal. We call that flux...

Listed for sale is a stunning custom contract stone desk/conference/dining table in exceptionally nice condition. The top has some light wear and was used as an executive desk. See p...

Round stainless steel dining table by Batten and Kamp Limited edition of 24 + 3 AP. Dimensions: Diameter 140 x H 73 cm Materials: Hand-brushed stainless steel, toughed glass, granit...

True Grit Dining Table by Odditi Unique and Numbered Dimensions: W 150 x D 146 x H 75 cm Materials: Petrified Wood, Lava Stone, Granite 'True Grit’ is a perfectly imperfect sculptur...

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist oval table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged sandcast solid bronze base is hand finished to a smooth mirror polish, with the option of a satin or blackened bronze. This table base is mated to a super white...

Listed for sale is a stunning custom contract stone desk/conference/dining table in exceptionally nice condition. The top has some light wear and was used as an executive desk. See p...

Stainless steel dining table by Batten and Kamp Limited edition of 24 + 3 AP. Dimensions: D 250 x W 115 x H 73 cm Materials: Hand brushed stainless steel, toughed glass, granite sto...

A minimal and dramatic pedestal table fashioned from a stainless steel cylinder form supporting a round black granite top with steel banding inset into the edge.

This is a John Geiger modern racetrack shaped dining table with a stainless steel base and granite top. The top is racetrack shaped. The base has 4 legs that connect to a steel bar t...

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist oval table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged sandca...

Designed by Daniel Barbera, the 'Bronze' table is a minimalist round table consisting of classic geometry on the exterior merged with organic flowing underside. The three legged cast...

Vintage 1980s Modern Black Granite Stone Rectangular Dining Table with Narrow Octagonal Pedestal Base. Circa Late 20th Century. Measurem...

The Materico Table is a uniquely architectural assemblage that combines the contrasting forms of a bold geometric base with the natural detail of its raw-edge top. Visually, this audacious table features a monolithic impact through the use of black raw steel flamed and absolute black granite...

The great dining table is a stunning piece of furniture that showcases the craftsmanship and creativity of Australian designer Daniel Barbera. Barbera has been working with bronze fo...

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist round table consisting of Classic geometry on the exterior merged with organic flowing underside. The three legged cast...

Dining table by Azucena, Metal and black granite, Italy, 1980s.