Porcelain and Ormolu Mounted Bonheur Du Jour by Donald Ross

Antique Louis XVI style mahogany and ormolu bonheur du jour by Winckelsen French, 1864 Height 105cm, width 73cm, depth 42cm Charles-Guillaume Winckelsen (French, 1812-1871) is the c...

Louis XVI style mahogany, satinwood, ebony and ormolu writing desk by Donald Ross English, Late 19th Century Height 73cm, width 108cm, depth 64cm This excellent piece, a table à écrire, or writing desk, was made by Donald Ross, an important English maker active in the late nineteenth century, in the manner of Jean-Henri Riesener, the renowned, highly acclaimed and towering ébéniste of the Louis XVI period in France. It features a rectangular top surface mounted with a gilt-bronze edge, in which is set a finely tooled gilt leather surface. This, like the frieze drawers around the sides, is set within a lattice veneer parquetry border. The table is divided by a central ormolu appliqué...

Highly important and palatial Napoleon III Louis XV Revival Ormolu-Mounted Marquetry Bonheur Du Jour by Charles Guillaume Diehl, Designed by Jean Brandely, The Marquetry by E. Varlot, Paris. The rarity & importance of this magnificent piece cannot be overstated, it is without question one of the finest examples you will see. Originally commissioned for European nobility as a statement of love and marital grandeur. Incorporating the finest & rarest veneers and timbers of the time, including Harewood, Thuya, Purpleheart, palm wood and tulipwood. The beautifully shaped ormolu gallery on the top, gracefully curving outwards inset with fretted heart shapes highlight the incredible attention to detail that flow throughout this majestic piece. The upper section set either side with ormolu mounted fluted pilasters, aside two doors both individually set with masculine & feminine central marquetry panels of the most supreme quality, as you would expect from the master E. Varlot. The colors incorporated in the inlay are outstanding to behold, simply perfection. Opening to reveal the double top & bottom lock, engraved with Diehl's mark and address. Internally veneered in Rosewood of the richest color with one shelf. With two drawers below the doors, both veneered on the inside with Sycamore, one fitted for inkwells. The ormolu edged writing flap again centrally set with both a male & female figure now seated, holding hands with the lady holding a Mandoline, a true sign of happiness & love. The writing flap opening to reveal the original richly tooled velvet leather surface. The stand with one central frieze drawer, again lined inside with rosewood and with a top and bottom lock. On ormolu-mounted fluted legs. This grand Museum Quality masterpiece is in excellent condition for its age. Charles Guillaume Diehl (1811-1885) was of Germanic origins, he is considered among the most important & influential of cabinetmakers of the 19th century. He was born in Steinbach, Germany later moving to France, establishing his atelier in Paris in 1840, at the 3, Rue de Thorigny and then at the 170, Rue Saint...

A writing table with a fitted superstructure, this beautifully crafted and elegant piece has all the positive attributes. The upper section is enclosed by a pair of doors each with o...