Chinese Black Lacquer and Gilt Painted Console, Qing Dynasty, 19th Century

A very fine and rare Chinese Qing Dynasty walnut wood (hetao mu) kang table with folding legs, 17th to 18th century, China. Crafted in walnut wood (hetao mu), this ingenious table...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A powerful Chinese figure of the Taoist diety Zhenwu (Xuanwu), carved and lacquered wood with applied lacquer details, Qing Dynasty, 19th century or earlier, China. Zhenwu, also kno...

A good pair of Chinese carved walnut wood (hetao mu) armchairs. The back features two facing stylized dragons around a central shou (longevity) medallion below a scrolled crest r...

A Chinese Qing Dynasty period brown lacquer altar console table from the 19th century with original distressed patina and horse hoof legs. Created in China during the Qing Dynasty period in the 19th century, this altar console table features a narrow rectangular top with central board, sitting above a simple apron. Presenting its nicely weathered, original brown lacquer, this altar console table is raised on four slender legs with horse hoofed extremities. We review all of our pieces and address issues we may find before they leave for your home; however, this is an antique piece, and as such it will keep its character and some imperfections, which is the quintessence of antique and vintage furniture...

An antique Chinese Qing Dynasty period red lacquered console table from the 19th century with original patina. Created in China during the Qing Dynasty, this console table features a...

A Chinese Qing Dynasty period altar console table from the 19th century, with carved apron, humpback stretchers, straight cylindrical legs and distressed dark brown / red lacquer. Th...

A Chinese Qing Dynasty period black lacquer altar console table from the early 19th century, with everted flanges, carved spandrels and openwork sides. Created in China during the Qi...