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Small Walnut and Green Marble "Sunday" Coffee Table, Jean-Baptiste Souletie
About the Item
Small walnut and green marble "Sunday" coffee table, Jean-Baptiste Souletie
Dimensions: 50 W x 150 D x 35 H cm
Materials: Indio green marble legs, walnut wood top.
Available in 4 sizes: D150, W50 / D200, W50 / D150, W100 / D200, W100.
Available in 5 top materials: walnut / black stained wood / Pele de Tigre marble / Black Marquina marble / Indian green marble.
Available in 3 leg materials: Pele de Tigre marble / Black Marquina marble / Indian green marble.
Sunday is a family of coffee tables and low consoles with a simple and clean design vocabulary. The combination of heavy marble legs with the thin solid wood or marble top creates an interesting contrast while the rounded edges and generous proportions provide a comforting feeling.
Jean-Baptiste Souletie is the Co-founder of the furniture editor La Chance with Louise Breguet. He studied in India, worked for a merchant bank in London (where he designed their new offices), before working for an investment fund (where he redevised the graphic chart), and in the strategic department of a luxury goods company in Paris. He returned to his first loves, architecture and furniture, when he founded La Chance in 2012.
- Dimensions:Height: 13.78 in (35 cm)Width: 19.69 in (50 cm)Depth: 59.06 in (150 cm)
- Style:Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2018
- Production Type:New & Custom(Current Production)
- Estimated Production Time:7-8 weeks
- Condition:
- Seller Location:Geneve, CH
- Reference Number:Seller: LC1stDibs: LU1219234773102
Galerie Philia
Galerie Philia is an international contemporary sculptural design and art gallery representing emerging and established designers and artists. The gallery is the brainchild of two brothers who share a lifetime passion for art, literature and philosophy. Their distinct academic background sets them apart from their peers, as it sees them following a rhizomatic and transcultural approach in the way they select works. This involves combining elements from multiple cultures in what becomes a network of harmoniously interconnected roots, ultimately revealing the beauty of each unique creation. The gallery’s non-hierarchical curation sits apart from the ephemerality of trends and focuses instead on the true aesthetic quality of the piece – alluring and timeless. Unlike others, Galerie Philia does not focus on a single style – whether minimalist, organic or raw – but rather embraces heterogeneity. The Galerie Philia takes pride in discovering new talents, providing them with multiple international platforms to showcase their latest creations. As well as propelling the newest generation of 21st century collectible design, Galerie Philia also works with internationally known design artists. Galerie Philia has a strong international presence, with galleries in Geneva, New York and Singapore. In addition to their permanent spaces, the gallery organizes temporary group exhibitions and artists residencies in first-class locations around the world.
Made to order creations can be done: please contact us for any request.
Legs:
-Indian green marble
-Black Marquina marble
-White Pele de Tigre marble
Tops:
-Solid walnut
-Black stained solid oak
-Black Marquina marble
-White Pele de Tigre marble
-Indian green marble

About the Seller
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- ShippingRetrieving quote...Shipping from: Paris, France
- Return Policy
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- Wood tops, thickness 30 mm, Swamp Oak or Swamp Ash
- Marble tops, thickness 15 mm, white arabesque or grey graphite, matte finish
- Tray, thickness 15 mm, in polished steel or brass
(*) Swamp oak and Swamp ash
Special veneer identified as a ''fossil'' since obtained from trunks found below ground, where they have been preserved under layers of clay for hundreds of years. The anaerobic environment inhibited the growth of microorganisms preventing the inexorable process of slow decay. On the contrary, over time the internal elements are transformed and others have been added: the mineral salts are combined with those present in the wood matrix, slowly transforming the organic state. This long natural process, which cannot be replicated, gives the wood a unique, precious appearance, with surprising colors and textures. The aging of the wood can also cause the formation of cracks and splits which are puttied and repaired but not eliminated during processing, because they are the signs of time that provide evidence of the great age and uniqueess of the material.
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