Baroque Seating

A beautiful Danish modern stool in oak with curly legs, the hexagon seat reupholstered in a great quality shearling lambswool. Made by a Danish Cabinetmaker in the 1950s. A fine stoo...

A pair of charming Danish modern stools in solid oak with curly legs, the round seats are reupholstered in a great quality shearling lambswool. Made by a Danish Cabinetmaker in the ...

Opulent Italian wrought iron Savonarola armchair made in the Baroque or campaign style. The chair features an iron frame with curule style legs and imposing patinated bronze mace fin...

A beautiful Danish modern stool in oak with curly legs, the hexagon seat reupholstered in a great quality shearling lambswool. Made by a Danish Cabinetmaker in the 1950s. A fine stoo...

Condition: New Upholstery Recommended, Wood In Very Good Condition Designer: The Zangerle & Peterson Co. Manufacturer: The Zangerle & Peterson Co. Materials: Mahogany, Original Ne...

A beautiful Danish modern stool in oak with curly legs, the hexagon seat reupholstered in a great quality shearling lambswool. Made by a Danish Cabinetmaker in the 1950s. A fine stoo...

A striking and highly popular sculptural set of 6 classic dining chairs in oak, seats reupholstered in great quality shearling lambswool. Designed by Henning (Henry) Kjærnulf for Nyr...

Gorgeous set of six French Os de Mouton baroque style dining chairs crafted from oak. The stylish chairs feature a moss green mohair velvet upholstery bordered by patinated brass tac...

A beautiful Danish modern stool in oak with curly legs, the hexagon seat reupholstered in a great quality shearling lambswool. Made by a Danish Cabinetmaker in the 1950s. A fine stoo...

This 19th century mobila bench is richly made with Castilian motifs. Despite its age, the piece has a very solid frame with relatively minor damage. Boards show the evidence of very ...

Spanish wrought iron "X" bench from the early 1900's. The bench has developed a beautiful patina. A new embossed leather cushion has been added recently.

Vintage Danish Hexagonal Oak Stool, 1930s. Traditional Danish footstool with spiralling carved legs i stained solid oak. Hexagonal seat with original upholstery. Made in Denmark by ...

This hand-carved and decorated wooden sofa from the mid-18th century embodies timeless French elegance. A classic French sofa, it features a curved back with intricate carvings, cabr...

A pair of charming Danish modern stools in solid oak with curly legs, the round seats are reupholstered in a great quality shearling lambswool. Made by a Danish Cabinetmaker in the ...

Beautiful baroque seating set consisting of a sofa and two armchairs. Extraordinary workmanship of the woods made according to the canons of the ti...

A sculptural pair of comfortable highback lounge chairs crafted from high-quality materials, and their style is reminiscent of the work of Danish designer Henning Kjærnulf. Armrest c...

19th century Italian hand carved walnut Savonarola chair, circa 1880. Having wonderfully carved frame with scrolling arms, aged black leather seat and back, accented with brass roset...

Stunning & rare Italian venetian highly carved walnut Baroque upholstered arm chair~~ Besarel~~mid-19th century We recently had the good fortune to obtain this rare work of art~~an antique carved walnut arm chair...

A fine 18th century Italian Baroque walnut stool with cabriole legs joined by an X-form stretcher ending in hoof feet. With blue and green Fortuny upholstery...

Stunning Danish baroque style high-backed ear-flap chair hand made in the 1930s The frame and armrests are made beautifully of turned and carved solid oak....

Vintage French Baroque/Louis XV Style Carved Gold Giltwood Upholstered Bergere Club Chairs - a Pair. Circa Late 20th Century. Measurements: 38" H x ...

Classic antique Baroque style dining chairs, in weathered wood, and leather. Both are structurally sound and sturdy, both show some cosmetic wear, normal and consistent with age. We ...

Highly carved walnut swiveling stool with a shell motif and a tripod base. Cabriolet legs with paw feet. In excellent restored condition with minimal wear from age and use.

19th century Italian hand carved walnut Savonarola chair, circa 1880. Having wonderfully carved frame with scrolling arms, aged black leather seat and back, accented with brass roset...

This set of six oak chairs, inspired by Danish architect Henning Kjærnulf’s famous Razorblade design, beautifully blends Baroque and Mid-Century Modern styles. Crafted in Denmark dur...

19th century carved walnut folding scissors Savonarola bench/settee Typical of the Italian Renaissance with carved Florentine backs. This pair cre...

Precious period French walnut bench hand carved on the back and on the skirt. Its measurements are for 4 people. It is ideal to place it in the hall of your house and thus give it a ...

Vintage Danish Hexagonal Oak Stool with Lambswool, 1930s. Adorably small footstool with turned legs i stained solid oak. New white lambs wool upholstery on the hexagonal seat. Made ...

Doble Armchair or Sofa with arms and high back of the type known as “frailero”, which has leather with studs on the seat and upper part of the back, very low chambrances joining the ...

Late 17th century Italian walnut square back armchair with bobbin turned arms, legs and stretchers, the whole possessing good rich color and crisp t...

Antique Spanish carved walnut armchair with old cut velvet fabric, 19th century. Nicely carved chair frame, old walnut has excellent patina, old wo...

New green cast aluminum three-seat garden bench Very confortable and resistant Its finish makes it able to withstand the inclement weather. The paint is epoxy resin that is passe...

A wonderful 18th century Italian Cassapanca, the tall back is carved as Florentine fleur de lis, and the seat and back have hand painted decora...

This is an extraordinary pair of magnificent solid walnut carved armchairs with their refined original embossed leather covers. This rare and exceptional pieces hails from the Late 1...

This sofa with two armchairs was created by the artisans of the famous Cantù company, Silik, in the 1960s, in Venetian Baroque style, in velvet and embossed velvet, the structure is ...

Magnificent walnut hand-carved bench attributed to master artist Valentino Besarel (b. July 29 1829, d. Dec 11 1902) of Venice, Italy. Renaissance Revival. High quality; soft, fi...

Antique set of ten Swedish country baroque dining chairs with tall backs, eight side chairs and two arm chairs included. Note the exceptional antique white painted and rubbed out fi...

Italian Baroque style 20th century large settee with giltwood filigree frame & button-tufted burgundy & cream upholstery with embroidered flowers and burg...

Gorgeous Baroque throne armchair made of full nutwood in Italy. The armchair was completely new upholstered inside / outside with red velvet, the cushi...

This 18th century German Baroque chair was made circa 1740 in South Germany. It is beautifully carved in walnut and in its stunning original con...

19th C. Italian Baroque style bench with a wooden frame and upholstered seat. The frame is finely carved with decorative acanthus leaf details, especially on the legs and the arms. ...

Spanish Damasq Velvet Bench with Back and Walnut Carved Legs

A Pair of Large Italian Carved GiltWood Arm Chairs These large arm chairs are very comfortable the arms legs and back are carved with Acanthus Leaves in the Baroque style. The upho...

A fine example of an Italian carved walnut recamier with carved crest flanked by turned posts, and arched scrollwork stretchers, with original caning, a small chain attached on verso...

Beautiful hand carved European walnut throne chairs circa 1900. Solid and very sturdy. Re-upholstered at a later date with aniline dyed leather seats & fabric backs finished with br...

An Italian Baroque period walnut armchair from the 17th century, with slanted back, large scrolling arms, turned legs and carved X-Form cross-stretcher. This Italian Baroque period w...

Early 20th century Spanish bench made from oak. The back is exquisitely hand carved with two differents motifs, surrounded by decorative ca...

A pair of exquisite armchairs from the early 20th century, crafted by a skilled Danish cabinetmaker. Embracing the graceful curves and organic flower motifs of the Art Nouveau moveme...

Italian Venetian Grotto (19th cent.) silver gilt rocker with carved seashell seat & back and seahorse sides (att: Pauly et Cie, Venice)

Set of four Dutch baroque style marquetry side chairs with black leather-like drop in seats. The chairs with shaped inlaid crests above a back splat encrusted with florals, birds, ur...

Fine pair of Italian 19th-20th century baroque style giltwood carved winged throne armchairs, each finely carved throne with scrolls and wavy armrests, on cabriole carved feet. (New ...

Antique pair of carved oak Baroque Italian hall chairs.

Pair of Italian 19th century Baroque carved arm throne chairs. The pair with figural carvings and putti sleeping on beds of leafs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Andrea Brustolon (20 July 1662–25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-1680 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall Stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the 18th century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the Baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

Italian Baroque Figural Bench/ Settee 18th century or older, some later support added A quietly stunning figural Italian Baroque Bench/ Sett...

A 19th Century Baroque armchair with original leather clothing from Sweden in dark wood.  

18th century Italian giltwood armchairs.

We are pleased to offer for sale this incredible French designed open armchair, ridge rail pierced and carved with mythological animals and spiral turned supports, oval backrest, sea...

18th Century Four Italian Baroque Carved giltwood Chairs The four fine chairs were made in Rome (Italy) around the middle of the eighteenth c...