Moorish Settees
After the Muslim conquest of the Iberian Peninsula in the eighth century, Islamic Spain became a cultural mix of influences that shaped both private homes and religious spaces. Moorish design was the name given to this style, which evolved through the 15th century with vibrant tile work, horseshoe arches and lavish ornamentation, most visible at sites such as Granada’s Alhambra and the Mosque-Cathedral of Córdoba. Moorish furniture was often similarly ornate, and featured pieces inlaid with wood, ivory and bone.
When European designers began studying Moorish art and architecture in the early 19th century, it led to a Moorish Revival. Appropriating the style’s decorative flourishes and architectural elements, it promoted a romantic view of Islamic design. Travelers could bring home a memento of what they witnessed in the Middle East, a trend that aligned with a fad for themed interiors. Men’s smoking rooms arranged with ottomans, divans and settees and inlaid tables were especially popular, as were cafés where coffee was served amid bead curtains and colorful floor mats. (Handwoven rugs are a centerpiece of Moorish interiors.) Octagonal rooms with domed ceilings were created for wealthy homes, frequently with furnishings like pipe stands, filigree plasterwork and arched doorways. The horseshoe arch is an iconic attribute of Moorish architecture that, in addition to Spain, can be found in Sicily, Morocco and elsewhere.
Several late 19th to early 20th-century movements featured Moorish touches. The American and English Aesthetic Movement, for example, borrowed liberally from global decorating styles, as seen in furniture designed by Lockwood de Forest, a New York-born artist who mixed Eastern and Western forms. The visual vocabulary of Art Nouveau also references the elegant use of geometry in Moorish design, with Milanese Art Nouveau furniture designer Carlo Bugatti drawing inspiration from the style. The Arts and Crafts movement, which prized expressive yet simple design, incorporated Moorish influences; hand-painted furniture and tile work created by William De Morgan, a British designer and potter who made furnishings for the likes of Morris & Co., were informed by techniques from Moorish Spain.
Find a collection of Moorish lighting, decorative objects, folk art and more furniture on 1stDibs.
20th Century Asian Moorish Settees
Ebony, Mother-of-Pearl, Walnut
19th Century Asian Antique Moorish Settees
Mother-of-Pearl, Walnut
19th Century Egyptian Antique Moorish Settees
Walnut
Mid-20th Century Moorish Settees
Bone, Wood
Early 20th Century Moroccan Moorish Settees
Bone, Abalone, Walnut
19th Century Maghreb Antique Moorish Settees
Walnut
Early 20th Century Egyptian Moorish Settees
Wood
18th Century French Antique Moorish Settees
Walnut
1940s Danish Vintage Moorish Settees
Wool, Beech
20th Century French Moorish Settees
Textile, Walnut
Early 19th Century Sri Lankan Antique Moorish Settees
Upholstery, Ebony, Down
Late 20th Century Italian Moorish Settees
Mohair, Wood
Early 20th Century French Moorish Settees
Upholstery, Cane, Ash
19th Century Antique Moorish Settees
1940s Italian Vintage Moorish Settees
Linen, Mahogany
21st Century and Contemporary American Moorish Settees
Brass
1940s Danish Vintage Moorish Settees
Fabric, Beech, Walnut
1950s English Vintage Moorish Settees
Velvet, Giltwood
20th Century Italian Moorish Settees
Upholstery, Maple
Early 20th Century Turkish Moorish Settees
Shell, Wood
Early 20th Century Moroccan Moorish Settees
Walnut
Mid-20th Century Moroccan Moorish Settees
Wood
Early 20th Century Moroccan Moorish Settees
Mother-of-Pearl, Walnut
Late 20th Century Moroccan Moorish Settees
Wood
Mid-19th Century English Antique Moorish Settees
Walnut
Late 20th Century Moroccan Moorish Settees
Wood
19th Century Turkish Antique Moorish Settees
Wood
Mid-19th Century English Antique Moorish Settees
Walnut
Late 20th Century Syrian Moorish Settees
Mother-of-Pearl, Wood