The Palm Beach Chaise Lounge with Magazine Racks from the FS Flores Collection

The Florencia, an impressive wicker eight light palm leaf chandelier or light fixture crafted with a metal frame ambitiously wrapped in reed with a casual elegance. Exclusively desig...

This wicker six light Ibiza chandelier is crafted in a metal frame wrapped with reed in the highest quality with a bold simple palm tree form, exclusively designed and offered by F. ...

Life size sculpture of a palm tree with a coconut crafted in wicker or reed wrapped over a metal frame with impressive stylized presence. From the FS Flores Collection...

The Sanibel, a wicker palm leaf or lotus pendant light fixture crafted in chuspata reed tightly and expertly woven over a sturdy metal frame with three tiers of palm leaves, exclusiv...

A modern fainting couch / chaise lounge. Sold Individually.

Genuine leather Kennedy Collection chaise lounge; 72" x 36" x 25" H. Leather, tacked with brindle longhorn hide and long rancher fringe. One of a kind....

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...

This Charles II period chaise lounge boasts intricate walnut craftsmanship, featuring pierce carving with scalloped shells, foliage scrolls, and flowers on its stretchers. The back p...