Contemporary Velvet-Covered Chaise Longue

Graceful and inviting, the recamier chaise with arched back and rolled arm. The fainting couch is upholstered but it does show some ware. Although made in the Victorian period, it ...

The undulating black patio metal garden chaise loungeis relatively light weight for easy movability. The seat peaks where the knee bends making it extremely comfortable. The mesh cou...

Unusual and hard to find bentwood rattan garden lounge chair in the style of Audoux Minet and Frida Minet, France, 1960's features a bamboo shell and wheels/ The chair measured at 33...

Reclining outdoor chaise lounge with painted black metal frame, flexible straps for added comfort on seat bottom and back. Two wheels on the chaise for easy movability.

Contemporary Red Vinyl Covered Chaise Longue, with chrome details. 26.5" H x 29" W x 70" D. Provenance: From a New York City Collection. Keywords: Contemporary Furniture, Seating, Lo...

Chaise longue sofa great rest with solid wood structure, upholstered and covered with grey velvet fabric (Cat B.). Cushion in option. Available ...

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...

The Flag Couch is a smart and multifunctional piece. The couch has a cushion built into the seat that makes the piece with dual functionality: when is close...