
VINTAGE HERITAGE BROWN LEATHER LOUNGE ARMCHAIR & MATCHInG OTTOMAN FOOTSTOOL
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VINTAGE HERITAGE BROWN LEATHER LOUNGE ARMCHAIR & MATCHInG OTTOMAN FOOTSTOOL
About the Item
- Similar to:Charles Eames (Designer)
- Dimensions:Height: 32.09 in (81.5 cm)Width: 32.09 in (81.5 cm)Depth: 33.86 in (86 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:20th century
- Condition:Wear consistent with age and use. Minor fading.
- Seller Location:West Sussex, GB
- Reference Number:1stDibs: LU2823314755121
About the Seller
4.7
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Established in 2012
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1,955 sales on 1stDibs
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Dimensions armchairs
Height:- 80.5cm
Width:- 85cm
Depth:- 86.5cm
Seat height:- 41cm
Dimensions ottomans
Height:- 42cm
Width:- 65.5cm
Depth:- 53.5cm
Please note all measurements are taken at the widest point,
MUST READ!
The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art.
Design
Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman.
The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil.
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