Stunning Large Shag Pile Rug Depicting Houses in the Style of L.S Lowry

Royal House Antiques Royal House Antiques is delighted to offer for sale this limited edition 60/99 print by L.S Lowry Print of "Saturday Afternoon" with all the supporting documentation Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking and large limited edition print of LS Lowry...

We are delighted to offer for sale this extra large country house, antique French rug with lovely Aztek Kilim style design circa 1860-1880 I have a collection of 12 rugs I’m now l...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely Vintage made in Belgium Louis De Poortere Muskabad rug depicting Indian people playing English P...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning antique Liberty's London Aztec Kilim rug with receipt from 1989 the...

A very rare Ukrainian pile rug woven with a pattern characteristic of Aubusson and Savonnerie French carpets. Carpets such as this one were woven at a time when the classical French style was extremely in favour among the Russian aristocracy, who decorated their homes with period French furniture...

An exceptional rug made in Aubusson, by Maurice André, France 1950. This Post-modern, Forme-Libre, Geometrical Abstraction, piece is made in thick wool i...

Large 67" x 67" Modernist rug / weaving, depicting 3 Musicians, hand loomed, Flat weave, reversible, reminiscent of famed image by Picasso. Wonderful wall ...

The source of carpet comes from the book Arts & Crafts Carpets, by Malcolm Haslam, and David Black, 1991, fig.49. This Hammersmith carpet was designed by William Morris in 1882, in the United Kingdom. In 1887 English artist and bookbinder T.J. Cobden Sanderson, suggested that a new group be named the “Arts and Crafts Exhibition Society” As a result, he was the first to use the term “Art and Crafts” and also is credited with naming this new emerging movement. The Arts & Crafts movement was inspired by the degradation of product standards that resulted from the factory production age. The rise of machinery in manufacturing caused a noticeable decline in uniqueness and crafts. These anti-Industrial reformers promoted economic advancement and social change. They wanted to eliminate poor quality and “artificial” items from 19th century British society. They saw a plethora of uninteresting items on display at the Great Exhibition of 1851 and became inspired to launch a Campaign for originality and uniqueness. William Morris was an English designer, as well as an uplifting social activist and writer. Morris is credited with sparking the rebirth of textile arts and traditional means of production. In 1861, Morris and a small group of designers opened an incredibly fashionable design company that grew to be largely successful. Morris left behind works in many different mediums such as textiles, books, furniture, stained glass, and area rugs. But in the end, he is most remembered for the magnificent wallpapers that he designed. He got much of his inspiration from the natural world. Through his interior decor pieces, Morris set out to convert rooms or spaces into meadows with beautiful trees meandering, vines, and plants. This concept of taking something Industrial and man-made, and converting it into something natural is what William Morris meant when he once said: “-any decoration is futile… when it does not remind you of something beyond itself.” Morris was a huge commercial success and his works are some of the most sought-after pieces in the world of design and decor. He is also credited with almost single-handedly reviving the British textile arts as well as their methods of production. Morris was also severely critical of machine-made goods, exclaiming, “Today almost all wares that are made by civilized man are shabbily and pretentiously ugly.” Houses were filled “with tons and tons of unutterable rubbish,” which, he suggested, should be heaped onto a gigantic bonfire! “As a condition of life, production by machinery is altogether evil.” He masterminded one of the most well-known styles of Arts & Crafts, recognizable by its twisting and arching patterns and simple, elegant floral design prints. Although Morris believed that Persian carpets were the greatest ever made, he adopted the coarser Turkish (Ghiordes) knot for his hand knotted carpet manufacture. They were woven at a thickness of 25 knots to the square inch at that time. Morris & Co.’s rugs are reminiscent of Persian garden design carpets in that they are smartly styled depictions of English gardens. Donegal also started producing highly desirable Irish rugs in the late 19th century. The Donegal rugs were predominantly created by English architects C.F.A. Voysey and Gavin Morton. The handcrafted Voysey rugs are typically woven in England, Scotland, and Ireland. Voysey had a knack for using contrasting shapes to decorate flat monochromatic spaces. Dark outlines added a flair of drama to his signature pattern and Celtic rug...