Chinese Export Style Gilt & Black Lacquer Decorated Table or Fire Screen

This exceptional mid-19th century Chinese Export sewing box is a stunning example of intricate craftsmanship and artistry. The large rectangular box is crafted from wood, finished in...

Chinese export, circa 1820. An exceptional quality and rare form. Featuring figural landscape decorations in gilt to the main black lacquer doors, which open to reveal 13 separated c...

Chinese for the English market, 19th century. A fine quality antique Chinese export tea caddy decorated with beautiful gilding surfaces, a hinged lid which opens to reveal a tooled ...

This stunning 19th-century Chinese Export sewing box showcases exceptional craftsmanship and intricate decorative artistry. The rectangular box features a black lacquered surface ado...

Celestial Chinese export coromandel four-panel screen depicting figures in colorful robes in a heavenly landscape among the white clouds. Eac...

Beautifully weathered Chinese export four-panel coromandel screen decorated on both sides. The screen features a pavilion landscape on one side and a floral and fauna landscape on th...

A superbly decorative six-panel lacquered 'Coromandel' screen, exquisitely carved and hand-painted with oriental figures, flowers and exotic beasts on a dark brown background, in the traditional 17th century manner.  China, Canton, Qing dynasty, late 19th – early 20th century. Why we like it We like its impressive proportions which make it perfect for a feature wall, and the exquisite quality of decoration. The subtlety of colours lends a 'soft' look to the piece. The central motif depicts a scene set in the gardens of a Han dynasty palace, while the outer borders are decorated with the “one hundred antiques” motif interspersed with floral arrangements. In this regard, the present screen not only conveys auspicious meanings but also demonstrate the owner’s fine scholarly taste. History The term 'Coromandel', which is used to describe this particular type of lacquer technique (kuancai), is rather misleading. In the 18th century it was used commercially to indicate the place from which these objects were shipped to England through the East India Companies, and had no reference to China, the place of their origin. Similarly, Chinese painted wallpaper was often called 'India paper' in historic documants. The kuancai lacquer technique, literally meaning “cut out colour” and found almost exclusively on screens, emerged in the 16th century to serve the domestic market. The iconographic elements were carved through the built-up coats of dark lacquer and filled with pigments and gold. Seventeenth century examples usually consisted of twelve panels, and were often employed in entrance halls or as room dividers or windscreens for gardens and terraces. They were often commissioned as gifts and depicted court scenes, episodes from the world of the immortals, panoramic or landscape views and auspicious symbols. This type of lacquerware was flourishing during the reign of the Kangxi emperor (1662-1722) and saw a revival in the 19th century. Stylistically the present screen may be compared with the twelve-panel lacquer screen from the Kangxi period in the Victoria and Albert Museum illustrated by W. De Kesel and G. Dhont in Coromandel Lacquer Screens, ill. 23, pps 36-37. Such luxurious items were popular in England during the height of fashion for oriental exoticism, called chinoiserie in Europe. In the 20th century, Coromandel screens still remained a staple in the European interior design. Coco Chanel had a collection of 32 rare Coromandel screens, which she proudly displayed in her home at 31 Rue Cambom, Paris. She one...

Distinctive Chinese export four-panel coromandel screen featuring carved hardstone and soapstone decoration. The screen depicts a group of beauties in colorful flowing robes. The parcel-gilt landscape is decorated with two large carved stone trees...