"Washington Crossing the Delaware" Engraving by Paul Girardet

Presented is a vintage pair of cast iron bookends depicting the now iconic scene of George Washington crossing the Delaware River. The raised relief-style image on the bookends featu...

This 1865, hand-colored engraving by A. H. Ritchie is entitled Lady Washington's Reception and is based on Daniel F. Huntington's original painting "Th...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This engraved print shows a view of the United States Capitol Building, in Washington, D.C. The print depicts the neoclassical building from the northeast orientation, with a bustling street scene in front. The steel engraving is a proof printing, drawn and engraved by Henry Sartain and published in 1858. Plans began in May 1854 to build a new cast-iron dome for the United States Capitol. The then-architect of the Capitol Thomas Walter and his team were sold on the aesthetics of a new dome, as well as the utility of a fire-proof one. A year later, on March 3, 1855, President Franklin Pierce...

Antique map titled 'Johnson's Viriginia (..). Original map of Virginia, Delaware, Maryland and West Virginia. This map originates from 'Johnson's New I...

Antique map titled 'États-Unis'. A very attractive and detailed late 19th century map of the United States, with a fine decorative vignette of Washington. The extensive railway netwo...

Antique print titled 'Ruinen van 't Paleis van Darius, gelegen in 't oude Persepolis, door last van Alexander de Groote verbrandt (..)'. Persepolis was sacked by the troops of Al...

Two religious images on one sheet. The upper images depicts the confession and the lower image depicts the anointing of the sick. This print originates from 'Ceremonies et costumes R...