Vintage Emerald Oak Leaf Necklace by Lisner

This stunning Camellia, pearl and crystal necklace has the characteristic features of Stanley Hagler's work but no oval stamp is present. Similar to the work of Stanley Hagler jewelry this piece is wired by hand, with stones and crystals prong-set into place rather than glued. Hagler’s ornate and opulent works combined contemporary designs with antique parts. He used the finest materials, and often incorporated hand-blown glass, Swarovski crystals and Russian gold plated filigree in his creations. Hagler specialized in faux pearl jewelry...

A stunning vintage set including necklace, brooch and earring set created from gold tone metal and sparkling clear rhinestone navettes. Marked 'Trifari' with copyright symbol and cro...

Excellent and complete set of 50 Volumes of The Waverley Novels by Sir Walter Scott. Boston: Ticknor and Fields, 1857; The Household Edition. Finely bo...

National Cash Register Co. Brass Cash Register, Model 442-E-L, Early 1900s, on wooden plinth. American. Brass. In 1908, National introduced a new numbering system that grouped their ...

This grand 18th-century german lectern is a striking example of religious craftsmanship, featuring a magnificently carved oak eagle, richly adorned with gilded gold leaf. Standing 21...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi, Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Beautiful vintage necklace made of bronze and beads ( unknown texture of beads).

Leaf Swing by Veronica Mar Dimensions: D55 x W33 x H7 cm Materials: iroko Wood, Hemp Weight: 1.5 kg. Numbered and limited edition to 88 pieces. Also available in different mat...