Luminous Modernism Scandinavian Art Comes to America: A Retrospective 1912-2012

Industrial Sublime: Modernism and the Transformation of New York's Rivers, 1900-1940 by Kristen M. Jensen, Bartholomew F. Bland, Katherine E. Manthorne, Wendy Greenhouse, and Ellen E. Roberts. Fordham University Press, 2013. 1st Ed softcover. Co-published with the Hudson River Museum, Yonkers. The exhibition ran from October 12, 2013, through January 17, 2014. It was not until the first decade of the 20th century, as artists like Robert Henri and John Sloan turned their attention to the urban scene, that American art shifted its focus from bucolic landscapes to the cities, the towns, the crowds, especially the raucous urban scene of Manhattan, by then the nation's most important city. This movement away from painting the land to painting the life on the street is often seen as a clean break with the depiction of the landscape, and with landscape painting generally as a mainstay of American art in the face of European Modernism. However, artists continued to paint the Hudson River, as well as its tributaries, the Harlem and East rivers, and the great harbor of New York City. What was different was their approach. Giving way the romantic ideals of earlier painters, artists like Henri and Sloan, and later, Georgia O'Keeffe, George Ault, Edward Hopper, and Preston Dickinson...

Sotheby's: The Andy Warhol Collection Americana and European and American Paintings, Drawings and Prints, Vol. V, Friday, April 29 and Saturday,...

National Museum Of American Art, Smithsonian Institution By National Museum Of American Art. Washington, DC, U.S.A.: Smithsonian American Art Museum, 1995. First edition. Measures:...

Oil on canvas portrait entitled:Mr. Bowles of Kentucky, painted by Benoni Irwin (1840-1896) an American portraitist born in new market, Ontario, Canada. He moved to New York as a you...