Colorful Pair of 1960s Bottle-form Lamps with Polychromed and Gold Surface

each with flaring neck above a bulbous body; the textured surface covered in a deeply colored blue and teal drip glaze

Each tall bottle-form lamp with a textured peach and white glaze all over a walnut base.

The large bottle-form lamp with long neck and tapering body all in a crater glaze.

the white bottle-form Murano lamp with gold inclusions fitted with brass mounts.

Pair of Mid-Century Modern glazed ceramic bottle vase form lamps on brass bases, in bone with charcoal brown striations and subtle craqueleur to glazing. Each measures 42in to top of finial 24in to top of base. Brass bases are 6 inches square and have rich patination. See original ad from a 1960 Chicago Tribune.

Large pair of MCM cork table lamps of bottle-form, the cork body is set on a circular chrome foot and topped with a bell-form cone neck, also in chrome. Large harps...

Pair of lamps, of handblown glass marked with an "Empoli, Italy" tag; each bottle vase form decorated with a lighter spiral swirl, mounted on round bases, of brass. Stock ID: D3260.

Unique hand decorated Swedish mid-century modern ceramic lamp attributed to Tilgmans Keramik. One yellow, one rose colored bird sitting on a branch with light green leaves on blue/black sgraffito striped background. Black and white top and bottom part. Signature on a leaf. Beautiful vintage condition. Sweden, 1960s. Paul Harald “Harry” Tilgmann was born in Dresden, Germany in 1904 and emigrated to Sweden during WWII where he started Tilgmans Keramik (= Ceramics) in 1948 in the small town of Utbynäs close to Gothenburg. Tilgman had 16 employees working for him and when he hired the Polish refugee Marian Zawadzki (1912-1978) as artistic director in 1953, Tilgman Keramik started experimenting with the distinct sgraffito technique. The sgraffito technique consists of carving fine lines into the background of a design through a light colored glaze down to a dark grey clay slip. This created a unique textured ground which has become a style associated with Tilgmans Keramik in particular. The decorative elements also appear to be outlined with a carved line and then hand painted with overglazes where birds, fish, flowers, butterflies and other animals were a common theme. This type of work was the most popular in midcentury Sweden alongside Tilgmans small animal figurines...