Danish Modern Large Floor Lamps in Patinated Brass by Kay Kørbing, 1960s

Amazing and unique floor lamp by Danish studio "Stiil Keramik" in the 1950s. Hand turned and decorated with expressive organic shapes. Glazing in earth colors. In the style of Arne B...

Stunning hand painted floor lamp from the 1960s by Danish artist Rigmor Nielsen at Søholm ceramics workshop, Bornholm. The floral pattern in shades of brown on this lamp is simply am...

Large ceramics floor lamp handmade at Løvemose ceramics workshop in Denmark in the 1960s. The base is made from stoneware with a stunning grey speckled glazing. Løvemose was a pottery in the town of Kædeby on the island of Langeland in central Denmark, run by husband and wife team Marie Hansen (d. 2008) and Johannes Hansen (d. 2003). It started in 1942 and ran until the mid 1980’s. It was of a reasonable size with up to 15 staff working there at its peak. In recent years pottery by Løvemose has gained a whole new audience, as the pottery has been “re-discovered”, A huge range of work and styles that came out of Løvemose Pottery, and there are pieces that are up there with the best of 20th Century Danish studio pottery...

Very rare set of large Danish Modern uplight floor lamps in patinated brass by Th. Valentiner, Denmark. The model "THV 376" with a trumpet shaped shade was designed in the 1950s and ...

These Lyfa-edition “Saga” wall sconces by Danish architect and designer, Kay Kørbing are true collectors’ pieces. By the 1950s, Lyfa had built an international reputation for original, high-quality, modernist lamps. In the postwar era, the company collaborated with esteemed architects and designers to produce minimalist, sculptural pieces including these lamps. Made of brass, metal, and crystal, the design of this model is entirely in the vein of modernism, while also sticking to the main ideals of Danish design, such as functionality. This can be observed in the lamps’ build that allows them to be faced either up- or downwards. The proportions are carefully thought out, with three main sections comprising the design. The three elements - the brass base, black metal shade holder, and the crystal glass shade - are clearly separated both by their shape, material, and colour. Most eye-catching are the Orrefors crystal glass shades in a peculiar shape that appear to be roll cut. Orrefors has been established in Swedish design tradition since 1898. Glass from the forests of Småland was incomparable: “Il n’y as que ça!” (There is nothing like it!) exclaimed the 1925 Paris World Fair. As these sconces showcase, the glass and shape are always in focus, combined with elegance, simplicity, and confidence. The predominantly round shapes are balanced by the square backplate. The artistic design is very honest in a purely Scandinavian manner, exposing the joinery and the materials’ natural qualities as well. This pair of “Saga” wall sconces is a stunning example of how the 1960s are still able to deliver modern "art" to any interior. The producer, Lyfa, produced some cabin lamps...

Pair of wall sconces in outstanding quality, designed by MAA. Kay Kørping for Lyfa Denmark. Great original condition.

Pair of wall sconces in outstanding quality, designed by MAA. Kay Kørping for Lyfa Denmark. Great original condition.

Flush Mount / Ceiling Lamp in Brass and Glass by Kay Kørbing, 1960's Additional Information: Material: Brass and glass Style: Mid century, Scandinavian Produced by Lyfa in Denmark D...