Single Aura Suspension Light by Sabine Marcelis in Apricot

Harnessing Marcelis’ expertise in color, the suspended cylinder bar of the Aura Light can stand alone or work as part of a grouping. Over a metre in length, the design is made from a...

With its tactile, PVC dipped polymer the Torch Light reveals its references to the shape and material of the typical torch, while the diamond-textured diffuser cleverly references the glass of a car headlight. It’s easy to create a fun, vibrant look by combining different colors and sizes within the same space or to state your style by choosing the Torch Light bunch, an ultra-modern feature chandelier...

Harnessing Marcelis’ expertise in colour, the suspended cylinder bar of the Aura Light can stand alone or work as part of a grouping. Over a metre in length...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...