Fernand Audet Signed French Post-Impressionist Oil, Old French Town

"Provence" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed, oil painting on canvas canvas: 5.5 x 8.75 inches Superb original oil painting by Fernand Audet (192...

"City Gates" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed, oil painting on canvas canvas: 8.75 x 5.5 inches Superb original oil painting by Fernand Audet ...

Still Life by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed, oil painting on canvas canvas: 8.75 x 6.25 inches Superb original oil painting by Fernand Audet (19...

The Butterfly by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed lower right oil painting on board, unframed painting: 9.5 x 13 inches A fine "mid century" oil p...

A large French oil painting, indistinctly signed, dated 1887. Young naked blonde woman with flower wreath on her head, rolling hills in the backgro...

Signed William Sheldon Horton impressionist landscape painting. This "Plein Air" artist has majestically captured the purple desert canyons of California. This substantial canvas is ...

French painting from the mid-20th century. Framework oil on masonite depicting countryside landscape with shepherdess and cows of good pictorial quality. Large-scale and impactful pa...

Antoine Blanchard (France 1910 - 1988 ) Title: "Place de la Madeleine" (depuis de la Rue Royale) Signature: "Antoine Blanchard" lower right corner Period: mid 1960's Artwork: 90x60cm (36 x 24 IN.) Offered unframed Condition: Overall Excellent. No chips, flaking or missing material Great investment with hammer prices going up year after year. Rare find! ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Blanchard received his initial artistic training at the Beaux-Arts in Rennes, Brittany. He then moved to Paris in 1932 where he joined the Ecole des Beaux-Arts. He won the Prix de Rome. Like Édouard Cortès (1882–1969) and Eugène Galien-Laloue (1854–1941), Antoine Blanchard essentially painted Paris and the Parisians in bygone days, often from vintage postcards. The artist began painting his Paris street scenes in the late 1950s, and like Cortès, often painted the same Paris landmark many times, in different weather conditions or various seasons. The most recurrent topics were views of the capital city in cloudy or rainy days, showing streets busy with pedestrians in a rush to go home, and bright storefronts reflecting on wet streets. Many of the French Quarter art...