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Royal Crown Derby Breakfast Tea Set, Imari Pattern, 1899

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Derby Porcelain Tea Service, Artichoke Pattern in Turquoise, ca 1785
By Derby
Located in London, GB
This is a beautiful and extremely rare tea service made by Derby in about 1785. The set has the distinctive "artichoke" moulding and a bright turquoise ground with the white artichok...
Category

Antique 1780s English George III Tea Sets

Materials

Porcelain

Derby Porcelain Tea Bowl, Artichoke Pattern in Turquoise, Georgian ca 1785
By Derby
Located in London, GB
This is a beautiful tea bowl and saucer made by Derby in about 1785. The set has the distinctive "artichoke" moulding and a bright turquoise ground with the white artichoke surface ...
Category

Antique 1780s English George III Tea Sets

Materials

Porcelain

Belleek Cabaret Tea Set for Two, Cream Grass Pattern, Victorian 1863-1891
By Belleek Pottery Ltd.
Located in London, GB
This is a beautiful and very rare Belleek cabaret set in the Grass design, consisting of a teapot, two teacups and saucers, a milk jug and a lidded sugar bowl, all placed on a large tray. All items carry the 1st Black Mark, which was used between 1863 and 1891. It is extremely rare to come across an entire cabaret set of these antique items, particularly when in such fabulous condition, so this is a rare opportunity! If you ever thought Belleek fine china looks, sounds and feels unique, you are right. There is a back story to this extraordinarily fine Irish eggshell porcelain, which has an unusually high amount of "frit" and therefore is thinner and finer than any other china. Pottery in Belleek (in the now Northern-Irish area of Fermanagh) had started in 1849 with John Caldwell Bloomfield, who was a wealthy land owner. During the Irish famine...
Category

Antique Late 19th Century Northern Irish Victorian Tea Sets

Materials

Porcelain

Spode Porcelain Teacup Trio, Red Imari Dollar Pattern, Regency, ca 1810
By Spode
Located in London, GB
This is a beautiful orphaned teacup made by Spode in about 1810. It bears a lavish Japanese-inspired Imari pattern. Spode was the great pioneer among the Georgian potters in England. Around the year 1800 he perfected the bone china recipe that has been used by British potters ever since, and he was also the leading potter behind the technique of transferware, making it possible for English potters to replace the Chinese export china, which had come to an end around that time, with their own designs. This was fundamental to a thriving industry that would last for about 150 years and provide half the world with their tableware. Spode porcelain is regarded as one of the highest quality porcelains around; for a soft-paste porcelain it is surprisingly hard and fine, and has a wonderful bright white colour. The pattern on this can is called "Dollar" pattern, a very famous pattern that was used by English potters in the 18th and early 19th Century. It is obvious why it is called “dollar” - but its origin is less obvious! It is thought that this pattern was derived from a very old Chinese pattern depicting a tree with elaborate foliage that hides a Chinese character representing longevity or happiness. Traditionally, this went with a an image called “Taotie”, which was used on very ancient bronze vases...
Category

Antique Early 1800s English Regency Porcelain

Materials

Porcelain

Belleek Cabaret Tea Set, Cream Cob Lustre, Erne, Victorian, 1890s
By Belleek Pottery Ltd.
Located in London, GB
This is an extremely rare Belleek cabaret set for two, or "tête-à-tête", made in the Erne series brought out in the 1890s. The items carry the 2nd Black Mark, used between 1891 and 1926. The set consists of a teapot, a milk jug, a sugar bowl, two teacups and saucers, and a large matching tray. This set is very fine and with its restrained cream-white colour it would make a wonderful wedding gift! If you ever thought Belleek fine china looks, sounds and feels unique, you are right. There is a back story to this extraordinarily fine Irish eggshell porcelain, which has an unusually high amount of "frit" and therefore is thinner and finer than any other china. Pottery in Belleek (in the now Northern-Irish area of Fermanagh) had started in 1849 with John Caldwell Bloomfield, who was a wealthy land owner. During the Irish famine he realised that unless he would find a way for his tenants to make a profit off the land, they would starve. Agriculture had become impossible due to the agricultural diseases. This caused millions to starve and more millions to leave. As an amateur mineralogist, John Caldwell Bloomfield realised that his land had exactly the right mineral deposits to be used as clay for porcelain. He involved several investors and scientists and after many years of research, trial, error, the building of a railway line to import coal from England, and building a factory, the Belleek pottery resulted, employing the local people and soon producing the finest china made with clay from the Belleek area. What had started as a way to fend off famine among the local tenants had became a story of incredible success by the 1880s as Queen Victoria fell in love with the fine white china and the many homely, slightly bizarre but nature-loving designs; this was different from English tradition, yet it was very much to the taste of the British who had developed a real love for home-made fine china since it was introduced in the late 18th Century. Belleek not only brought out many tea services, but started a new tradition of intricately woven porcelain baskets. Soon the English nobility started to place big orders and the pottery is still flourishing today and selling its wares the world over, while in England most potteries have long disappeared. Belleek made many cabaret services, often called breakfast services or "tête-à-tête" services; these were used to carry breakfast tea up to the bedroom. Queen Victoria bought one in the Echinus style during a visit to the factory in the 1860s, and ever since Belleek's cabaret services have been in great demand. Nowadays there are very few of these left and it is rare to find a full service like this. The Erne series was named after the river right besides the Belleek factory. This river forms the border between the Republic of Ireland and Northern Ireland, with the factory on the Northern Irish end of the bridge at Belleek. The pattern seems to be a play on the baskets and nets of the fishermen who once fished the abundant trout and salmon on the river Erne and the lake that belongs to it. The items carry the second Black Mark, which was used between 1891 and 1926, however the very fine quality of the porcelain indicates that most pieces of the set are more likely to be from the 1890s than from the 20th Century. You will see that the shade of cob lustre is different on each item; this is normal for Belleek tea sets...
Category

Antique Late 19th Century Northern Irish Victorian Tea Sets

Materials

Porcelain

Royal Crown Derby Part Dessert Service, Turquoise with Flower Garlands, 1916
By Royal Crown Derby Porcelain
Located in London, GB
This is a beautiful part dessert service made by Royal Crown Derby in 1916. The service consists of one serving dish and ten plates, and is decorated with beautiful scalloped rims in turquoise and gilt, delicate flower garlands and a very find flower spray on each item. The Derby Porcelain factory has its roots in the late 1740s, when André Planché, a Walloon Huguenot refugee, started making simple porcelain toys shaped like animals. Local entrepreneur William Duysbury took an interest in his skills and worked with him to improve the quality of his wonderfully shaped items. Together they laid the foundations of what would become a very refined tradition of figure making at Derby. In 1769 Duysbury bought up the bankrupted Chelsea factory, incorporating their reputation for high quality figures, vases and tableware; this combination of traditions, porcelain making skills, sophisticated clients and available work people created one of the best porcelain factories of the 18th and 19th Centuries. The factory went through many ups and downs in the 19th Century and was completely re-constituted in the late 19th Century; today it is one of the very few factories still operative. This plate is a fine example of the Edwardian style with its grace, fine painting and delicate gilt. The pattern has similarities to the famous "Royal Antoinette...
Category

Vintage 1910s English Edwardian Porcelain

Materials

Porcelain

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