1950s, Edwin and Mary Scheier Mid-Century Modern Yellow Abstract Charger

The Brendan Bass Estate Collection pays homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they ...

Heavy mid-century chrome cocktail table base. Can support a glass top up to 50" x 50". The piece is a part of our one-of-a-kind collection, Le Monde. Exclusive to us. Globally...

Add a touch of contemporary style to your home with this two-door slat cabinet. The elm wood construction and simple design make this piece a perfect add...

The Brendan Bass Estate Collection is an homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which the...

Decorated charger by celebrated studio pottery artists Edwin & Mary Scheier. The work is in excellent condition with no damage and features two sgrafitto figures. Inscribed on the bo...

A large and striking stoneware ceramic vessel in the form of an African fang figure on basket by American potters Mary and Edwin Scheier (1908-2007;1910-2008) dated to 1959. Made ear...

An exquisitely crafted, rare wood charger/platter by American California master Woodturner Bob Stocksdale. Signed and marked ("Harewood from England"...

Lovely Copper Enameled Platter from the 1950s by Harold Tishler. A dusty rose enamel over the bright copper background graces this piece. There are some intentional gray streaks over some areas. The bottom is glaze with a maroon cloor center and outer edge and a soft pink circle separating the two. Instead of having a sharp edge around the circumsference, the edge has been folded over and under creating a soft rim. Signed on the bottom H. Tishler. Condition: Very Good. Two small drilled wholes on either side of the rim for firing purposes (not seem from above). Please look at all images and view our other Tishler enamels’ listings. Measurements: 10 1/4 inches diameter x 3/8 inch high Harold Tishler (1893, Odessa – 1993, Florida) Studied engineering in 1910 at University of Grenoble but did not finished his studies and moved to New York 1913. During WWI, he joined the Merchant Marines and while visiting Japan was introduced to the art of Cloisonne enameling. In 1927, Tishler went to Vienna to study under Josef Hoffmann. Upon his return to NYC in 1932, he began producing copper and silver enamels that were sold at high-end stores. In 1935, Tishler visited a fellow student from the Kunstgewerbeschule in Vienna, Edward Winter in Cleveland. Tishler was impressed by Winter’s enameling...