Fasano Nicola Italian Plate In Apulian Ceramic with Abstract Design

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. An e...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. A lovely and refined set of four fine ceramic ashtrays in the shape of a shell; they were hand-molded, then fired in the kiln a first time, then on the white majolica the inner decoration was done with a delicate shaded blue color at this point the objects underwent a second firing, the outer part was then decorated and finally, the ashtrays were fired a third time to finally fix the colors thus creating four small works of art. The ashtrays were made between 1936 and 1938 by the firm Ceramiche Artistiche Rometti and bear the signature of the company itself on the bottom. Ceramiche Rometti...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Black ceramic vase with Japanese decoration painted and enameled in relief, this vintage product was made between 1960 and 1965 by Ruscha Keramik...

We kindly invite you to read the entire description, as we strive to provide detailed technical and historical information to ensure the authenticity of our items. This captivating o...

A vibrant Italian ceramic dish in a good condition. Abstract pattern. On the back "Italy" and the number 364. Manufacturer unknown.

Vintage Ceramic Plate with Abstract Motive by Roger Capron - Vallauris, France Roger Capron was in influential French ceramicist, known for his...

Abstract stoneware ceramic sculpture by French artist, circa 1970, realized in La Borne. Elegant brown, black and white ceramic colors glazes and firing effects. Original fr...

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...