Tall Porcelain Sculpture and Vessel in Nature, White and Blue by Thomas Naethe

Sculptural organic hand formed vessel / vases by Willem Schalling. He made a number of vases from the late 1950s till the 1980s. He lived and worked in Amsterdam and was an assistant to the sculptor Hildo Krop who executed ornamental details for bridges and houses during the 1930-1940s and contributed to the School of Amsterdam Architecture...

Two elongated sculptural Studio Pottery vases, of which one with double neck, are made on the turning wheel and partly hand sculpted. They are glazed in blue and brown over flowing glazes. They are sculpted by M Fisher...

Elongated vases or vessels in muted tones of blue, green and sand color by the UK ceramist Virginia Rood Pane. They have slightly different heights (49, 44, 42 cm) and shapes and the...

Tall vase in an organic mosaic pattern of night black and tomato red pieces of glass. The mosaic is applied on a glass vase inorder to be a functional vase for flowers and it is edg...

"Antique Chinese (Late 19th Century) large white, porcelain urn with a scene of blue flora and fauna, and two dark blue scrolled handles along the neck. Light wear with some damage ...

Tall large bottle shaped white and black stoneware clay and porcelain vessel with heavy volcanic textured glaze and lava stone. There is an option to add gold lustre or black feather...

A large heavily textured volcanic vase with black, white and brown glaze and markings. Wide necked vessel with a bellied form. Made from black textured s...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...