A Large Pair of Vienna Style Porcelain Vases

A Fine and Large Pair of Vienna Style Porcelain Vases and Covers, on Stands. Each of elongated slender out-shape. Each with cobalt blue-ground neck and cover with gilt-embossed deco...

An important and extremely large pair of Magenta Ground Vienna Porcelain Exhibition vases. Austrian, circa 1900. Each vase with blue underglazed ‘Beehive’ mark to interior of neck. Each vase is finely painted with classical scenes to the front and allegorical scenes to the back on a rich magenta ground with gilt foliate decoration. The vases are mounted by extraordinary gilt handles headed by winged female masks to the sides and grotesque masks to the shoulders. The spreading necks decorated with Greek key decoration are surmounted by domed covers and the vases are raised on baluster form supports put down on drum bases finely painted with panels stylised arabesque. The Vienna Porcelain Manufactory was founded in 1718 only eight years after Johann Friedrich Bottger and Ehrenfried Walther von Tschirnhaus had succeeded in unearthing the secret of Porcelain Manufacture for August the Strong, Elector of Saxony. On May 25, 1718, Emperor Karl VI signed a "special privilege" awarding Claudius Innocentius du Paquier the exclusive right to produce porcelain in the Austrian crown lands. Production being almost exclusively for the imperial household and the court nobility. During the rococo era, Empress Maria Theresia placed the company under imperial ownership and it was during this period that the manufactory began to produce the famous rococo genre scenes after Watteau. Under the management of Conrad Sorgel von Sorgenthal, the Vienna Porcelain Manufactory achieved an international reputation for its neo-classical style. After the wars with France brought the manufactory to the brink of ruin, the Vienna Congress at the beginning of the Nineteenth Century gave porcelain from Vienna a renewed upswing. Many important personalities of the time, including Czar Alexander I of Russia...

A fine pair of Vienna style covered cylindrical vases, on square footed socle bases. The vases are decorated with classical scenes including Jupiter an...

A Pair of Large Gilt-Bronze Mounted Sèvres-Style Cobalt Blue Ground Porcelain Vases and Covers. Signed 'H. Desprez'. Each of baluster form. One painted to the front with Louis XV a...

Large pair of antique Royal Vienna porcelain vases Austrian, Late 19th Century Height 102cm, diameter 28cm This remarkable pair of vases, notable for their substantial size, was ex...

Large Vienna vase in porcelain. Richly decorated with flowers. Hand-painted. Early 20th century. Stamped. Measures: 40 cm. In good condition.

Large near pair of painted porcelain vases by Royal Vienna Austrian, Late 19th Century Height 82cm, width 34cm, depth 34cm Crafted in the late 19th century, this near pair showcas...

Large Austrian Neoclassical style porcelain vases by Royal Vienna Austrian, Late 19th Century Height 98cm, diameter 32cm Crafted by the prestigious Royal Vienna Porcelain Manufactory, this exquisite pair of vases embodies the centuries-old tradition of European porcelain artistry. Designed in an elegant baluster form, each vase features a deep navy ground, providing a striking backdrop for the finely hand-painted historical tableaux. The slender necks are adorned with delicate gilded patterns, further enhanced by ribbon-tied accents and raised gilded jewels, a particularly coveted element in high-quality porcelain. Matching porcelain lids, crowned with a pinecone finial, complete the sophisticated design, while the spreading socle bases mirror the decorative motifs of the necks. The vases depict four significant historical events, masterfully reinterpreted from renowned artworks. One scene illustrates King Charles V liberating Christian slaves in Tunis, inspired by a 19th-century engraving by Nicaise de Keyser (Belgian, 1813-1887). Another portrays the Battle of Bouvines (1214), based on an 1827 painting by Horace Vernet (French, 1789-1863). A third panel brings to life Oliver Cromwell dissolving the Long Parliament, adapted from a 1782 print by Benjamin West (American, 1738-1820). The final scene, inspired by Jan Matejko’s (Polish, 1838-1893) 1866 painting ‘Rejtan’ (also known as ‘The Fall of Poland’), represents the first partition of Poland in 1773. The Austrian porcelain artists have reimagined these compositions with richer, more luminous colours, infusing the scenes with energy while softening their dramatic intensity. Supporting these vases are ornate porcelain plinths, decorated with oval cartouches featuring additional painted vignettes. The undersides of the lids are inscribed with the corresponding scene titles. These include: Der letzte Reichstag zu Warschau (The last parliament in Warsaw), Karl V als Befreier der christlichen Sklaven in Tunis (Charles V as liberator of the Christian slaves in Tunis), Cromwell verhindert die Verfolgung des Waldenser (Cromwell prevents the persecution of the Waldensians), Bataille de Bouvines (Battle of Bouvines). Each piece bears the blue ‘FD/ VIENNA / AUSTRIA’ mark for Franz Dörfl. With their grand proportions, historical depth, and remarkable artistic execution, this pair of vases is an extraordinary acquisition for any collector of fine European porcelain.