Japanese Ceramic Vase

This is a glazed earthenware vase produced by Roche Bobois in the 2010s. The vase utilizes a design Jean Cocteau produced in the early 1960s. It features 2 taupe profiles with geomet...

Oval vase with cut crystal details accentuated by a sterling silver band at the top. Band is stamped: Made in Germany/ 925 Sterling Silver and has a small maker's stamp (see image 3).

A lovely turn-of-the-century Austrian Art Nouveau vase with an iridescent glaze and naturalistic form. Vase is unsigned, but have several nu...

A slick, curved silver-plated vase by Lino Sabattini. Signed "Lino Sabattini / Cormorano 1966/2000, Collezione Sabattini Italy" on the face of the piece; and stamped "Sabattini Made ...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

A Japanese long neck slender ceramic vase in the style of Mishima, circa 19th century, Meiji period. Mishima pottery was originally imported from three islands in Taiwan and then fro...

1655 Japanese artist madeundulating glazed ceramic vase. Makers stamp on bottom

Japanese Mid-Century Modern glazed ceramic vase in lotus shape, stamped with mark on the bottom. 9.5" height x 3.25" diameter.