Frank Mann Modernist Vase, Early American Studio Pottery 1950s-1960s

Bitossi Studio Pottery vase or pitcher is a beautiful example of Italian mid-century modern art ceramics. It is decorated in bold abstract pattern using gloss, semi-matte, and lava g...

Sculptural, heavy Mid Century Modern clear glass decorative vase or vessel was created by Carl Erickson for Erickson Glass Works. The vase is decorated with controlled bubbles that are radiating upwards from its base; asymmetrical, free-flowing rim juxtaposes the regular bubble's pattern, guiding the eye along the lines of the piece. The vase is signed by the artist in etching on the bottom; it is in good vintage condition with slight, age-appropriate signs of use on the bottom. This piece will work very well in any style of interior or would make a great gift for an art and design enthusiast. Carl Erickson (1899-1966) worked at Pairpoint Manufacturing Company, joining his father as an apprentice and spending the next 20 years developing a high level of craftsmanship, including precision use of controlled bubbles, a technique often associated with Pairpoint, that was widely used by Erickson in his own glass designs. In the early 1930s he was employed by Libbey Glass and from 1937 - by the Blenko Glass Company. After leaving Blenko, Carl founded his own art glass studio in Bremen, Ohio in 1943. Erickson glass was hand blown, so no two pieces could be identical. Erickson made reproductions for a number of museums, including the Smithsonian Institution of Washington, D.C., Old Sturbridge Museum, Metropolitan Museum of Art, Corning Museum of Glass, and the Ohio State Historical Society Museum. Many of his glass creations have been selected for display at several distinguished museums, and in 1953 a traveling display...

Sculptural Mid Century Modern teal and clear glass decorative vase was created by Carl Erickson for Erickson Glass Works. The vase has Erickson's typical heavy encased glass design, with the teal glass gather encased in clear glass in sommerso technique and the pronounced base done in clear glass with controlled bubbles. The pontil is ground. The vase is in good vintage condition with some age-appropriate signs of wear on the bottom. It is unsigned, as vast majority of Ericson piece were, and is missing its sticker, but can be clearly identified by multiple printed and online catalogues and other resources. Carl Erickson (1899-1966) worked at Pairpoint Manufacturing Company, joining his father as an apprentice and spending the next 20 years developing a high level of craftsmanship, including precision use of controlled bubbles, a technique often associated with Pairpoint, that was widely used by Erickson in his own glass designs. In the early 1930s he was employed by Libbey Glass and from 1937 - by the Blenko Glass Company. After leaving Blenko, Carl founded his own art glass studio in Bremen, Ohio in 1943. Erickson glass was hand blown, so no two pieces could be identical. Erickson made reproductions for a number of museums, including the Smithsonian Institution of Washington, D.C., Old Sturbridge Museum, Metropolitan Museum of Art, Corning Museum of Glass, and the Ohio State Historical Society Museum. Many of his glass creations have been selected for display at several distinguished museums, and in 1953 a traveling...

Vintage ceramic bud vase features sculptural multi spouted shape and stunning textured drip glaze in earthy, organic brown palette. The gradation glaze color and abstract graphic pattern of the main decor emphasize the soft, rounded shape of the vase; the use of shades of brown, from dark espresso to mocha to off-shite cappuccino, creates rich and varied, but monochromatic palette that does not overpower the complex form and shape of the vase. The vase is signed on the bottom with LEE, that was Lee Levy customary signature; it is not dated, but the style of the piece is consistent with her Mid-Century Modern pieces created in 1960s-1970s. Leah "Lee" Levy (1922 - 2011) was an established pottery artist based in Upstate New York area. She was born in Pinsk, formerly in Poland, now in Belarus, and moved to the United States in 1929, growing up in Brookline, Massachusetts. She and her husband Irving started their first pottery studio in Long Island, New York, in late 1940s, while training at the Alfred University School of Ceramics alongside with some of the foremost artists and craftsman in America. Since 1946, Alfred University in Alfred, New York was a home for School for American Craftsmen, with the faculty that included Edwin Blanchard Brown, Ernest Frank Brace, Laurits Eichner, Philip Morton, Charles Reese, Ethel Mitchell, Robert Savage, Thomas Mclure, and most importantly for Levy, the renowned ceramists Linn Phelan and Herbert Sanders...

Mid-Century Danish Studio Pottery Vase from Frank Keramik, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Add...

Freeform studio pottery vase 1960s. This is a very distinct midcentury Studio Pottery vase with a slender freeform aesthetic. The dark brown vase ha...

Painterly Glazed studio pottery vase. Mid-20th century. This is a beautiful little vase which is painterly decorated. A joy to look at and a fun piece on your desk, cabinet or tab...

Midcentury German Studio Pottery vase 1960s. This is a very distinct midcentury German Studio Pottery vase with an interesting abstract and sc...