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Medieval Sculptures

MEDIEVAL STYLE

The Middle Ages in Europe followed the end of the Roman Empire, and in this time of change, which preceded the Renaissance, furniture was simple and utilitarian, with most homes having only the necessities like chests and benches. Much of medieval furniture, which was often made in oak or walnut, was built for the elite, particularly the emerging merchant class who owned multiple homes.

Life for many in the medieval era was unstable, and furniture was designed to be functional and portable. Peasants worked the fields for affluent landowners and didn’t have access to literature in the way that nobles and people of the church did (women less so than men). The furniture in their modest dwellings was typically limited to cookware and a handful of stools. Foldable chairs, while uncommon in homes of the early Middle Ages and emblematic of wealth, like all other furnishings of the time, allowed for easy transportation of a household. Trestle tables with detachable legs and collapsible beds were designed to be simply moved from place to place.

Medieval blanket chests were among the most important furniture objects and could further serve as tables or even beds. Some ancient traditions were carried forward to build this sturdy furniture, such as turnery. Although the furniture was minimally designed, embellishments like carvings added elegance to the heavy wood pieces. These details sometimes reflected trends in religious art like rose windows.

By the later Middle Ages, storage pieces like chests of drawers were often adorned with high relief carvings, such as geometric and floral motifs. By the 14th and 15th centuries, design had developed to include more involved pieces like cupboards and desks, while benches frequently doubled as chests with hinged seats. Beds also changed in this era from basic boards to four-post designs with large drapes to keep the sleeper warm. These beds and other medieval bedroom furniture were significant status symbols, passed down through families and used as places to conduct business and receive visitors.

Surviving examples of medieval furniture are very rare, yet its distinctive aesthetics influenced later styles like William and Mary and Arts and Crafts.

Find a collection of medieval seating, garden elements, decorative objects and other furniture on 1stDibs.

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Style: Medieval
French Medieval Carved Stone Fragment Depicting A Dragon/ Mythical Figure
Located in Buisson, FR
Amazing period piece. Beautiful hand-carved fragment depicting a dragon / mythical creature. Once had its place in wall of a medieval church or chapel in the South of France. Weather...
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Stone

Antique & Large Medieval Style Lusterweibchen Mermaid Sculpture Chandelier 1910
Located in Lisse, NL
Rare, large, artistic and highly decorative antique chandelier. For the collectors and for the interior designers who are always looking for rare Medieval Style antiques we also have this all original, work-of-art chandelier from the earliest years of the 1900s. This German Lusterweibchen...
Category

Early 20th Century German Medieval Sculptures

Materials

Metal, Brass, Wrought Iron

Decorative greyhound hand carved heraldic coat of arms
Located in Debenham, Suffolk
Good quality gilt coloured coat of arms. Central shield with acanthus decoration, flanked either side by outward facing standing greyhounds. Gilt has been worn through to allow the ...
Category

Late 20th Century English Medieval Sculptures

Materials

Wood, Giltwood

Late 19th Century Carved Wooden Lüsterweibchen Four-Light Chandelier
Located in Barntrup, DE
Unique and adorable late 19th or very early 20th-century smaller-size chandelier - Lüsterweibchen. Finely hand-carved from linden wood, a unique piece, made by a master wood carver ...
Category

Late 19th Century German Antique Medieval Sculptures

Materials

Brass, Metal

Great Quality Carved & Superb Condition Wooden Corpus Christi on Crucifix, 1800s
Located in Lisse, NL
Antique crucifix with stunning hand carved details and an amazing patina. This remarkable and good size crucifix with a sculpture of a suffering Christ on the cross is another one...
Category

Early 19th Century German Antique Medieval Sculptures

Materials

Fruitwood, Oak

12th Century Rare Romanesque Wood Sculpture of the Virgin Mary
Located in Vero Beach, FL
12th century extremely rare romanesque wood sculpture of the Virgin Mary. Magnificent wood hand carved sculpture of the Virgin Mary holding a book to her chest. It is an extremely rare survivor of the 12th century. The style is European, possibly French or English. This statue is a testimony to beautiful religious art from about 1150. A truly rare Romanesque sculpture...
Category

15th Century and Earlier English Antique Medieval Sculptures

Materials

Stone

Antique Lifesize Crowned Mother Mary and Child Jesus Gothic Revival Sculpture
Located in Lisse, NL
Hand carved wood antique statue of Mother Mary wearing a Gothic crown. This original and all hand carved sculpture of the mother of all mothers is anothe...
Category

Early 20th Century European Medieval Sculptures

Materials

Wood

15th Century Corpus Christi Wood Sculpture
Located in Stockholm, SE
Rare late 15th century or early 16th century Gothic Corpus Christi wood sculpture. Probably North German or South Sweden. This large Christ sculpture...
Category

15th Century and Earlier German Antique Medieval Sculptures

Materials

Wood

Solid Cast Brass Medieval Armored Knight on Horse Sculpture
Located in San Diego, CA
A very cool and well detailed solid cast brass medieval armored knight on horse sculpture, circa 1970s. The piece is in very good vintage condition and...
Category

20th Century American Medieval Sculptures

Materials

Brass

20th Century Made in Italy Sterling Silver Horse and Knight Armour
Located in VALENZA, IT
Horse in black lacquered resin with a sterling silver armor with Russian 14th century knight in sterling silver armor with golden and enameled details.
Category

1980s Italian Vintage Medieval Sculptures

Materials

Sterling Silver

Saint Florian
Located in Saint-Ouen, FR
SAINT FLORIAN   ORIGIN: SOUTH GERMANY, SWABIA PERIOD: END OF THE 15th CENTURY   Height : 100,5 cm Width : 34 cm Depth : 17 cm 
Polychromed lime wood Good state of conservation   
Sin...
Category

15th Century and Earlier German Antique Medieval Sculptures

Materials

Wood

Decorative hand carved heraldic coat of arms
Located in Debenham, Suffolk
Good quality gilt colored coat of arms. Central shield with acanthus decoration, flanked either side by outward facing standing lions. Gilt has been worn through to allow the red ba...
Category

Late 20th Century English Medieval Sculptures

Materials

Wood

Antique Florentine Carved Gilt Wood Angels PAIR
Located in Canterbury, GB
Pair of Antique Giltwood Angels Hand carved and gilded with silvered clouds to base. Made in France at the end of the 19th century, Very decorative architectural wall elements. ...
Category

19th Century Italian Antique Medieval Sculptures

Materials

Wood, Giltwood

15th Century Burgundian Low-Relief Depicting Scenes of the Nativity
Located in Saint-Ouen, FR
Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Walnut

Carved Sandstone Jain Family Group, 6th-7th Century, Uttar Pradesh, India
Located in Austin, TX
A fine and rare Indian carved sandstone stele of a Jain family group, Sarnath style, early Indian Medieval period, 6th-7th century, Uttar Pradesh, India. Carved from a single block of buff sandstone, the stele features a Jain family group comprised of a father, mother, and two children. The family group is portrayed upon a lotus pedestal under a tall palm tree. The mother and father both seated in a relaxed pose known as lalitasana, or royal ease pose, a jovial expression on their faces. The mother holds the daughter in her lap. The younger son scampers mischievously up the trunk of the palm tree, his head turned to look back at his parents. Above the family, nestled in a niche amongst the palm fronds, an image of a Jain Tirthankara...
Category

15th Century and Earlier Indian Antique Medieval Sculptures

Materials

Sandstone

Rare Pair of Antique Carved Stone Lions from Italy, Circa 1600
Located in Dallas, TX
These utterly captivating, hand-carved stone lions hail from Italy and date to circa 1600, possibly even earlier. Their regal couchant (lying down) posture adds an air of majestic charm to any setting. One lion gracefully rests its forepaws on a stone ball, while the other clutches a coat of arms shield. They are carved in the same stylistic manner as many of the medieval lions...
Category

Early 17th Century Italian Antique Medieval Sculptures

Materials

Stone

Late 15th Century Polychrome Wood Carving Depicting the Nativity
Located in Saint-Ouen, FR
While the birth of Christ is briefly told in the Gospel of Luke (2, 7) it is in the apocryphal texts that we find most of the elements and details that have then inspired artists. As of the 14th century and even more of the 15th century the subject of the Adoration of the Child replaces in Western art the scene of the Birth, much favoured in Byzantine art. Instead of being depicted lying with the new-born swathed in the manger, the Virgin is now kneeling, her hands joined in prayer in front of the naked child. This change was probably hastened by the popularity of the visions of Saint Bridget of Sweden to whom the Virgin allegedly appeared to show how she had given birth to Jesus (Visions, VII, chap. 21). Sheltered by a thatch-roofed structure the Virgin is kneeling in front of the Child Jesus. She wears a magnificent red dress under a large gold cloak. Her curled blond hair is partially veiled. The newborn is lying on a straw mat. Joseph is depicted with a parted beard and stands opposite from the Virgin. He wears a tunic and a coat with a purse hanging from the belt. His costume reminds us of the long journey him and Mary have accomplished to reach Bethlehem. Two other women are present. One is looking through the stable’s window to observe the Holy Family while another one kneels in prayer in front of the divine child. The rich costume of the lady might indicate she is a donator. However they could also both represent the women who took part in the birth of Christ, Zelemi and Salome. Salome, incredulous did not believe in the virginal conception of Mary and she is represented far from the scene. The artist has depicted her with an expression of doubt on her face. Zelemi, on the contrary, is a believer. She is rewarded by a place of honour at the heart of the scene, close to Mary. To the left the donkey and ox that have accompanied Mary and Joseph to Bethlehem observe quietly the scene. On the foreground two angels hold a scroll reading an excerpt from the Gloria : “/Gloria/ in excelsis /Deo/.” One of the angels wears a blue cape while the other’s is red Those two colours are very significant as during Middle-Ages blue symbolises hope and red charity. Together they express the hope in redemption thanks to the advent of Christ and his sacrifice to come. Above the main scene, up a cliff, a small shepherd lets his herd of sheep graze amidst the trees. He is framed by two walled cities. This wood carving is the work of a very skilled and inventive artist. The piece bears witness to his exceptional talent. The realism of the scene is emphasised by the amount of details depicted. The refinement of the carving itself is highlighted by the well preserved polychromy. This key moment of the New Testament is set in a contemporary context thanks to the clothes of the characters and the scenes of rural life. The universal dimension of the scene is intensified while allowing contemporary viewers to grasp its meaning more easily. This care for details, the picturesque realism as well as the extraordinary rendition of the cloths suggest it was made by a Flemish artist during the late 15th century. This relief can be compared with the panel of the Nativity from the Saint-Vaast altarpiece made by Jacques Daret between 1433 and 1435, today in Madrid’s Thyssen-Bronemisza Museum. Literature Louis Réau, Iconographie de l’Art chrétien...
Category

15th Century and Earlier Dutch Antique Medieval Sculptures

Materials

Wood

Medieval Style Armor Gauntlet Articulated Steel
Located in Rochester, NY
Articulated medieval style steel gauntlet. Well made, mid-20th century.
Category

Mid-20th Century Medieval Sculptures

Materials

Metal, Steel

Important 14th Century Polychrome Limestone Virgin from Lorraine
Located in Saint-Ouen, FR
Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Limestone

Virgin and Child in Majesty, also known as "Sedes Sapientae"
Located in Saint-Ouen, FR
VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...
Category

15th Century and Earlier Spanish Antique Medieval Sculptures

Materials

Softwood

Antique Gothic Carved Limestone Model of a Madonna or Venus
Located in Philadelphia, PA
A fine antique limestone carving. Modeled as a Madonna. With her head slightly tilted, holding an orb in one hand, and with her other hand resting on her breast. By repute ...
Category

15th Century and Earlier Unknown Antique Medieval Sculptures

Materials

Limestone

Polychrome carved wood Virgin and Child from the 15th Century
Located in Saint-Ouen, FR
POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...
Category

15th Century and Earlier German Antique Medieval Sculptures

Materials

Wood

Antique French Romanesque 12th century Enthroned Madonna and Child
Located in Doha, QA
This extraordinary museum piece Enthroned Virgin Mary/Madonna with child on her lap comes from the Rhone region in France. The saint symbol and protec...
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Wood, Walnut

Indian Carved Sandstone Frieze of Lakshmi, Central India, 10th-11th Century
Located in Austin, TX
A large and impressive Indian carved sandstone architectural frieze featuring a central image of the Hindu goddess Lakshmi flanked by two atten...
Category

15th Century and Earlier Indian Antique Medieval Sculptures

Materials

Sandstone

Rare Large 15th Century Renaissance English Oak Roof Angels Corbel.
Located in Vero Beach, FL
Rare Large 15th Century Renaissance English Oak Roof Angels Corbel. Truly astonishing rare roof angels, circa 1450. The large Medieval carvi...
Category

15th Century and Earlier English Antique Medieval Sculptures

Materials

Oak

Antique 18th Century Gilt Gothic Art Carved Wood Angel Sculpture Candlestick
Located in Lisse, NL
Beautiful and sizeable Church altar candelabra in the form of a winged Angel. This hand-carved Church altar piece is carved out of wood and the gilt finishing gives this piece it's ...
Category

Mid-18th Century Dutch Antique Medieval Sculptures

Materials

Wood

Large Size French Wall Crucifix / Jesus Christ on the Cross with Crown of Thorns
Located in Lisse, NL
Antique large size sculpture and an impressive, religious work of art. Looking at Christ suffering like this, the crucifix (in our view) is a symbol of what 'telling people the trut...
Category

Late 19th Century French Antique Medieval Sculptures

Materials

Wood

Lladró Medieval Tournament Sculpture. Limited Edition
Located in New York City, NY
Honor and loyalty are the supreme values of medieval knights, the heroes of a fascinating, romantic era that inspired this spectacular high porcelain limited edition. The ornamental ...
Category

21st Century and Contemporary Spanish Medieval Sculptures

Materials

Porcelain

19th Century French Marble Base Bronze Sculpture "Escholier" Signed E. Picault
Located in Dallas, TX
This beautiful antique bronze figure, was created in France, circa 1880. The realistic sculpture, titled on the front: "Escholier, 14eme Siecle", (meaning middle French, 14th century...
Category

Late 19th Century French Antique Medieval Sculptures

Materials

Bronze

French Gothic Stone Lion, 15th Century
Located in Charlottesville, VA
French Gothic Stone Lion. a reclining stone lion with shaped base, 15th Century. Found at St. Sulpice. Height: overall 7 in. x Width: 11 in. x Depth: 6 1/2 in.
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Stone

19th Century Carved Dummy Board Oil Painting of an Angel & Crown of Thorns
Located in London, GB
19th Century Religious Dummy Board Oil Painting of Angel & Crown of Thorns. Rare life size 19th Century religious oil painting on carved pinew...
Category

19th Century German Antique Medieval Sculptures

Materials

Wood, Paint

19th Century Italian Alabaster Carved Head Of A Bishop Saint
Located in Stamford, CT
19th century Italian carved alabaster head of a saint wearing a bishop's mitre in the Gothic style. Though a fragment, the intense gaze of this small carving gives it a lot of presence. Rendered by a master carver, this piece has a lot of personality. Likely an architectural fragment, the weathered surface and distressed condition only add to the appeal of this unique sculpture. Mounted on an ebonized walnut base. 10 inches high 3.5 square 5 7/8 inches high by 4 wide by 3.75 deep (head only)
Category

Early 19th Century Italian Antique Medieval Sculptures

Materials

Alabaster

14th Century Sculpture of the Head of an Angel from East of France or Rhineland
Located in Saint-Ouen, FR
This face with prominent eyes, open mouth and beautiful hairs with symetrical undulations may be the face of the Archangel Gabriel.  
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Wood

Very Large and Rare Christ on the Cross ( height 130. cms ) 14th Century
Located in PARIS, FR
Very large Christ on the Cross ( height 1,30 m), Painted and carved in the round in poplar wood. Some old traces of polychromy. Restorations to the fingers. but not recently. South...
Category

15th Century and Earlier German Antique Medieval Sculptures

Materials

Poplar

Rare & Beautifully Hand-Carved Antique Dutch Arts & Crafts Beveled Wall Mirror
Located in Lisse, NL
Striking wall mirror with handcarved geometrical 'flowers' and trefoil symbols. Via one of our foreign contacts we recently purchased this perfectly fine and deeply handcarved, sc...
Category

Early 20th Century European Medieval Sculptures

Materials

Wood, Mirror

20th Century German Enamelled Sterling Silver Armour on Wood Decorated Base
Located in VALENZA, IT
Figure realized in Sterling Silver using the lost wax process. The details are gilded and enameled. The figure is 17.5 cm high and depicts a 15th century German soldier with sword ...
Category

1990s Italian Medieval Sculptures

Materials

Sterling Silver

Gothic Virgin and Child with a Phylactery
Located in Saint-Ouen, FR
This Virgin and Child is wearing clothes with a limited number of folds and showing a thickness characteristic of the Burgundy region. As a result of the presence in the region of th...
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Walnut

Head of a crowned Virgin - Lorraine, first half of 14th century
Located in Bruxelles, BE
Head of a crowned Virgin Lorraine, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) Private Collection Tuscany, Italy (1980) Ex...
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Limestone

Dragon head
Located in Sag Harbor, NY
Architectural Gothic Copper down spout, A lion Gargoyle style face. These architectural detail adorned many a building in old Europe. This example was salv...
Category

19th Century French Antique Medieval Sculptures

Materials

Copper

1890 Sterling Silver King Arthur Knight by B. Neresheimer & Söhne Hanau
Located in Van Nuys, CA
This antique sterling silver knight sculpture from the 19th century is based on the statue found at the Tomb of Maximilian I: King Arthur completed in 1513. Dressed in full medieval ...
Category

19th Century German Antique Medieval Sculptures

Materials

Silver

Pair of Plaster Gothic Crocketed Finials
Located in Chicago, IL
This pair of cast plaster Gothic finials exudes the elegance and intricacy of Gothic architectural design. Each finial is adorned with floral form crockets, meticulously crafted to r...
Category

21st Century and Contemporary French Medieval Sculptures

Materials

Plaster

Gothic Canopy, France, 15th Century
Located in Bruxelles, BE
Gothic canopy France, 15th century Alabaster, some traces of polychromy 33 x 23 x 20 cm Provenance: - Private collection Genève, Switzerland ...
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Alabaster

A. W. N. Pugin Encaustic Tile Panel by Minton & Co
Located in Wormelow, Herefordshire
A set of nine 6-inch by 6-inch neo-medieval style encaustic tiles by Minton & Co (stamped); an exact match to an identical set in the British Museum attributed to architect and desig...
Category

Mid-19th Century English Antique Medieval Sculptures

Materials

Steel

San Antonio Abad, Spanish School of the 15th Century '1440-1501'
Located in Madrid, ES
San Antonio Abad, Castilian school of the 15th century (1440-1501) Carving in polychrome wood, measures: 45 x 15 cm good vintage conditions.
Category

15th Century and Earlier Spanish Antique Medieval Sculptures

Materials

Wood

A granite sculpture of a young woman's head - France - 1960
Located in SOTTEVILLE-LÈS-ROUEN, FR
A refined granite sculpture portraying the head of a young woman, believed to likely represent Saint Joan of Arc, crafted in France during the 1950s. It features a magnificent patina...
Category

1960s European Vintage Medieval Sculptures

Materials

Granite

Antique French Romanesque 11th Century Pair of St.Peter and St.Paul Limestone
Located in Doha, QA
An extremely rare pair of original 11th century French Romanesque limestone hand carved sculptures of Saint Peter and Saint Paul. Each figure is represented on a marble block, withou...
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Limestone

Medieval Architectural Fragment Cornice, Corbel
Located in Vosselaar, BE
A fragment of a sandstone corbel with flat upper face, moulded transverse ledge and two protruding lobes with reserved trefoil detailing. The lower edge has fine dentiled carving and...
Category

15th Century and Earlier British Antique Medieval Sculptures

Materials

Sandstone

20th Century Sterling Made in Italy Silver Horse and Knight Armour
Located in VALENZA, IT
Horse in black lacquered resin with a sterling silver armor with Italian XIV Century Knight in sterling silver armor with golden and enamelled details.
Category

1980s Italian Vintage Medieval Sculptures

Materials

Sterling Silver

Romanesque Telamon - Northern Italy, late 12th (Reemployed Roman marble)
Located in Bruxelles, BE
Telamon Northern Italy, late 12th - early 13th century Reemployed Roman marble H 32 x L 18 x P 17 cm « Sono coloro che hanno dimenticato che l’uomo é solo un bruco, destinato a dive...
Category

15th Century and Earlier Italian Antique Medieval Sculptures

Materials

Marble

Wooden Carving of a Gothic Lady with Elegant Headwear, Dutch, 17th century
Located in Hamburg, DE
Wooden Carving of a Gothic Lady with Elegant Headwear and Necklace, Dutch, 17th Century This exquisite wooden carving, depicting a Gothic lady adorned with an elegant headpiece and ...
Category

Late 17th Century Dutch Antique Medieval Sculptures

Materials

Wood

Stone Head Sculpture, United Kingdom, XVIIth Century
Located in MARSEILLE, FR
Sculpted stone head on a modern base, of a mustachioed man According to the 1983 sales certificate, it would be a 17th century sculpture, even before, of United Kingdom or Ireland o...
Category

17th Century British Antique Medieval Sculptures

Materials

Stone

Gothic Architectural fragment abstract sculpture
Located in Vosselaar, BE
We mounted this Gothic architectural fragment on a custom iron stand. In this new context it becomes a sculpture with a almost abstract f...
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Sandstone

20th Century Italian in Enameled Sterling Silver Armor on Wood Decorated Base
Located in VALENZA, IT
Figure realized in sterling silver using the lost wax process. The details are gilded and enameled. The figure is 18 cm high and depicts a 15th century Italian...
Category

1990s Italian Medieval Sculptures

Materials

Sterling Silver

20th Century English Enamelled Sterling Silver Armour on Wood Decorated Base
Located in VALENZA, IT
Figure realized in Sterling Silver using the lost wax process. The details are gilded and enameled. The figure is 18 cm high and depicts a 15th century Italian soldier with sword and dagger The wood square base is 7 cm high where there is an engraved label "Armatura Inglese XV° Secolo" - "English...
Category

1990s Italian Medieval Sculptures

Materials

Sterling Silver

20th Century French in Enameled Sterling Silver Armor on Wood Decorated Base
Located in VALENZA, IT
Figure realized in sterling silver using the lost wax process. The details are gilded and enameled. The figure is 19.5 cm high and depicts a 15th century French soldier with Jousting Lance and shield The wood square base is 7 cm high where there is an engraved label "Armatura Francese XV° Secolo" - "French Armour...
Category

1990s Italian Medieval Sculptures

Materials

Sterling Silver

17th Century Carved Figure of a Saint
Located in Gloucestershire, GB
Mid 17th century Northern European carved figure of a saint. This striking statue depicts a saint who is dressed in robes, whilst holding his hand over his heart. This figure is freestanding and is stood within a leaning position which makes him stand out. It has been beautifully carved from oak and has remnants of its original paintwork. Likely to have stood within a church for many years and would have been removed due to renovation reasons. This historical figure...
Category

17th Century German Antique Medieval Sculptures

Materials

Oak, Paint

A Huge Christ of Pity, Normandy circa 1480
Located in PARIS, FR
A rare and large Christ of pity, or Christ in bonds. Jesus is sitting on a rock, stripped of his clothes, awaiting his execution. Monoxyle Ash wood carved in the round. Traces of po...
Category

15th Century and Earlier French Antique Medieval Sculptures

Materials

Wood, Ash

Rare English Romanesque Limestone Capital on Stand
Located in Wormelow, Herefordshire
This weathered English Romanesque limestone capital is centuries old, dating from the Norman era of the 11th and 12th centuries. Originating from Oxf...
Category

15th Century and Earlier English Antique Medieval Sculptures

Materials

Stone, Limestone

Medieval sculptures for sale on 1stDibs.

Find a broad range of unique Medieval sculptures for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage sculptures created in this style to your space, the works available on 1stDibs include decorative objects, more furniture and collectibles, building and garden elements and other home furnishings, frequently crafted with wood, stone and other materials. If you’re shopping for used Medieval sculptures made in a specific country, there are Europe, France, and Italy pieces for sale on 1stDibs. While there are many designers and brands associated with original sculptures, popular names associated with this style include Europa Antiques, Argenteria Etruria, Lladro, and Saint Clément. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for sculptures differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $265 and tops out at $134,141 while the average work can sell for $3,746.

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