Cambodian Sculptures

A striking Gandharan molded stucco head of a male Bodhisattva, tentatively identified as Manjushri, ancient region of Gandhara, probably Hadda or surrounding area, 3rd-5th century. The Bodhisattva is sculpted of stucco in an idealized manner as a youthful male, with soft and kind features, a benign expression on his face. He wears an elaborate pleated turban wrapped around his head, with two sweeping lobes at the front. His turban secured on one side by a small image of a roaring lion. The lion may be read as a reference to Manjushri, the Bodhisattva of Wisdom, who is often depicted as riding or subduing a roaring lion, a metaphor for taming the wild thoughts of the mind. Manjushri gazes outwards in a beatific manner from almond shaped eyes, a gentle smile on his lips. The eyes at different levels when looking at the sculpture head on, indicating the original placement of the head was meant to be viewed at an angle. Remnants of pigments to the eyes, nose, mouth and ears. Mounted on a custom black metal stand. Hadda was an important center of Buddhist learning in the early history of Greco Buddhist Gandhara, and at one time may have housed a bone relic of the historical Buddha, Shakyamuni. The sculpture and architecture of Hadda followed Hellenistic artistic conventions faithfully, leading some scholars to believe the distinct Greco Buddhist style of Gandhara was first developed in Hadda before spreading to the rest of the region. The kingdom of Gandhara was situated at a crossroads of trade and cultures. Being one of the last remnants of Alexander the Great's Empire, the inhabitants of the Greco-Bactrian Buddhist kingdom preserved Greek culture and heritage for centuries after the decline of the Greek Empire...

Early 20th Century Chinese Fu Lou and Shou beautifully detailed bronze figures. The Chinese three wise men depict the attributes of a good life....

A well cast vintage Khmer, Angkor Wat style, bronze head of Shiva, circa 1970's, Thailand. Shiva, the Hindu god of creation, change and destruction, is identified by the third eye in the center of his forehead. His highly stylized face features alluring almond shaped eyes, a flattened nose, and broad mouth. Shiva is adorned with ornate earrings and an elaborate crown. The heavy earrings...

A wonderful, well-crafted work reminiscent of Isamu Noguchi's early work in bronze. Heavy and solid on a beautiful rosewood base. Apparently unsigned. From a collection of Japanese antiques and...

Neoclassical Style Gilded Plaster Female Figure Sculpture, possibly the Greek goddess Hebe, holding an urn and standing upon a round base. Diameter. Provenance: From a New York City...

This sizeable torso is from Ayutthaya, and is one of three pieces that made up a figural sculpture of Buddha. Comprised of elegant curves and soft lines, the details of diaphanous ro...

Complete granite figure of Shiva showing his attributes in a standing hieratic pose, fully dressed and jeweled in royal regalia with tiara on a high pedestal with a flaming halo. Lat...

A Thai bronze head of Buddha, Ayutthaya period, late 16th-early 17th century. His face with serene expression, arched eyebrows above incised eyes and ...

Pair of Chinese export hardstone horses and stands, each one finely carved of a standing horse with one leg up, facing left and right. Removable from the associated lacquered stands....

This bust is a beautiful representation of lord Brahma. Brahma is a part of the holy trinity of Hinduism along with Vishnu the Preserver and Shiva the destroyer. He is depicted in Hi...

A set of ten smooth, weighty Shiva Linga river stones, each with naturally banded surfaces in earth tones of brown, taupe, russet, and olive. With their di...

19th century parian figure of a female nude sitting on a blanket on a rock formation. Circa 1850.