Antique Hand Embroidered Silk Miao Minority Tribe Child's Headdress

Experience the grandeur of the Asian Miao Minority Tribe with this exquisite silver ceremonial necklace/collar. Crafted with meticulous attention to detail, this stunning piece showcases intricate geometric patterns that reflect the rich cultural heritage of the Miao Tribe. Its impressive size and mounted design make it a true statement piece, perfect for those who appreciate the artistry and history behind traditional jewelry.

Stunning Silver Miao Minority Tribe Necklace featuring an arrangement of interlocking chains and dragon motifs mounted on a custom base. Meticulously designed to add a touch of cultu...

Vintage tibetan headdress: Measures: 8" x 10" x H 23". Weighs 10 LBS.

Vintage Chinese theatre headdress: Measures: 8" x 7.5" x 13".

An antique Chinese carved stone court figure head sculpture with original polychromy. Attracting our attention with its tall headdress and remnants of original polychromy, this Chine...

Pair of plaster child's profile, 20th century. Pair of plaster sculpture representing child profiles, 20th century. Each: H:41cm, W:32cm, D:6cm

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.

19th century Anglo Indian papier mache and painted wood pull toy, a striped yellow tiger on wheels.