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Oil Lamp Featuring a Mathurin Moreau Bronze Statue of a Nymph and Putto
About the Item
A rare bronze statue of na Nymph and a clinging putto by famous French 19 Century sculptor Mathurin Moreau which was custom transformed into an oil lamp. The nymph is is holding aloft a flambeau which was part of the bronze by
Moreau to which was fitted a griotte marble and gilt bronze bowl holding the brass oil lamp and its reservoir. The whole is mounted on a round griotte marble socle with gilt bronze trim.
As can be seen from the accompanying photographs, the oil lamp is totally detachable from the bowl., and except for the original tubular glass shade w the lhe lamp is totally original. The bronze is signed Moreau Math Hors Concourse on the base and has the foundry stamp at the back also on the base.,
Born in 1822 into a family of distinguished artists, Mathurin Moreau combined natural ability, years of training, and an entrepreneurial spirit to become one of the most well-known French sculptors of the 19th century.
His training began under his father and famous French sculptor, Jean Baptiste, and continued at the Ecole des Beaux Arts in Paris, beginning in 1841. Mathurin Moreau’s sculptures earned him Second Grand Prize of Rome in 1842 and international recognition at the Salon and World’s Fair in the decades to follow. Mathurin Moreau’s sculptures can be seen all over Paris, including L'Oceanie at the Orsay Museum and Cologne at the Gare du Nord train station.
- Creator:Mathurin Moreau (Sculptor)
- Dimensions:Height: 30 in (76.2 cm)Diameter: 8 in (20.32 cm)
- Style:Napoleon III (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1890
- Condition:Wear consistent with age and use. THe bronze was waxed and polished and thev ormolu cleaned.
- Seller Location:Vancouver, CA
- Reference Number:1stDibs: LU4631226588792
Mathurin Moreau
Mathurin Moreau was a renowned French sculptor born on November 18, 1822, in Dijon, France, into a family of artists. He was the son of sculptor Jean-Baptiste Moreau and the brother of sculptors Hippolyte and Auguste Moreau, thus part of a dynasty that significantly influenced French sculpture in the 19th century. Educated at the École des Beaux-Arts under the tutelage of Étienne-Jules Ramey and Augustin-Alexandre Dumont, Moreau went on to become a prominent figure in the French art scene. He was known for his exceptional skills in crafting bronze sculptures, which are among the most celebrated aspects of his artistic legacy. Moreau debuted at the Salon in 1848 and rapidly gained acclaim. His works often depicted allegorical figures, mythological scenes, and typical rural life, capturing both the idealistic beauty and the detailed realism that were hallmarks of the period's sculpture. Many of his bronzes were cast by the famous Val d'Osne foundry, which helped ensure the high quality of his pieces. The foundry was known for its superb craftsmanship and was one of the primary mediums for Moreau’s creations. Throughout his career, Mathurin Moreau received numerous awards, including a medal of honor at the Exposition Universelle in 1878. He was also made a Knight of the Legion of Honor in 1865 and rose to become an officer of the order in 1885. His artworks were not only celebrated in France but also internationally, as his bronzes found homes in diverse locations, from Parisian squares to foreign collections. Moreau's works are characterized by their classical style, attention to detail, and the expressive beauty of their subjects. Some of his notable bronze sculptures include allegorical representations such as "La Danse" and "L’Eau". These pieces exemplify his ability to translate ethereal themes into tangible beauty, making his sculptures highly sought after by collectors and museums worldwide. Mathurin Moreau passed away in 1912, leaving behind a rich legacy of artistic achievement that continues to be celebrated and revered in the art world today. His sculptures, especially his bronzes, remain valuable for their artistic and historical significance, often fetching high prices at auctions and retaining a place of prominence in collections of 19th-century French art.
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