Mid-19th Century Grand Tour Bronze Figurative Sculpture 'The Dying Gaul', Italy

Late 19th century french patinated bronze sculpture of a peasant/shepherd boy By: unknown Material: bronze, copper, metal Technique: cast, molded, patinated, metalwork Dimensions: 6 in x 7 in x 12 in Date: late 19th century Style: Romanticism, Naturalism, Realism...

Late 19th Century Jugendstil bronze sculpture of a dancing Satyr/Faun signed by G. Roth, Germany By: G. Roth Material: bronze, copper, tin, metal Technique: cast, molded, patinated,...

Late 19th century Romantic french black patina bronze sculpture of a hunter boy with riffle By: unknown Material: bronze, copper, metal Technique: cast, molded, patinated, polished,...

Late 19th century Meiji bronze erotic sculpture of a nude sitting woman in the style of Okazaki Sessei, Japan By: Okazaki Sessei (in the style...

This very ornately cast bronze sculpture is unsigned, but presumed to have been done in Italy in approximately 1900, in the Classical Roman style. This figurative study depicts the famous Classical Roman sculpture known as 'The Dying Gaul...

This is a 19th century classical male sculpture in bronze. This is a sculpture that would have been purchased on your grand tour of Europe. This male figure has a classical pose with...

A nice little bronze Grand Tour souvenir bronze of the Dying Gaul a famous sculpture of antiquity preserved in Rome. This bronze has nice detail. The patina is worn in some places and it is in estate found condition. We haven’t tried to clean or polish it. Some patina loss minor nicks and surfaces scratches, please see the detailed photos. For this interested this from Wikipedia about the original sculpture: The Dying Gaul, also called The Dying Galatian[2] (Italian: Galata Morente) or The Dying Gladiator, is an ancient Roman marble semi-recumbent statue now in the Capitoline Museums in Rome. It is a copy of a now lost Greek sculpture from the Hellenistic period (323–31 BC) thought to have been made in bronze.[3] The original may have been commissioned at some time between 230 and 220 BC by Attalus I of Pergamon to celebrate his victory over the Galatians, the Celtic or Gaulish people of parts of Anatolia. The original sculptor is believed to have been Epigonus, a court sculptor of the Attalid dynasty of Pergamon. Until the 20th century, the marble statue was usually known as The Dying Gladiator, on the assumption that it depicted a wounded gladiator in a Roman amphitheatre.[4] However, in the mid-19th century it was re-identified as a Gaul or Galatian and the present name "Dying Gaul" gradually achieved popular acceptance. The identification as a "barbarian" was evidenced for the figure's neck torc, thick hair and moustache, weapons and shield carved on the floor, and a type of Gallic carnyx between his legs.[5] Description The white marble statue, which may originally have been painted, depicts a wounded, slumped Gaulish or Galatian Celt, shown with remarkable realism and pathos, particularly as regards the face. A bleeding sword puncture is visible in his lower right chest. The warrior is represented with characteristic Celtic hairstyle and moustache with a Celtic torc...

19th Century Grand Tour Bronze Sculpture of Narcissus. Narcissus is shown in a moment of self-reflection, standing in a contemplative pose. His idealized form highlights his youthful...