Mexican Day of The Dead Ceramic Skull Folk Art Sculpture, Edition 1/30

The word tzompantli or tzompantle comes from the Náhuatl (Aztec) language and means skull rack or scaffold of skulls. In different Mesoamerican cultures, skulls from the sacrificed w...

Imagine a drink only drunk in weddings between royalty, accompanying the dead in their transit to the underworld, and celebrating military victories or successful commercial expediti...

“My purpose in making this skull is to represent the different types of native maize that since remote times have brought food security to our ancestors, giving them the time to develop the knowledge and arts to the extent they did,” says Mexican ceramist Omar Hernández...

"As a Mexican and Oaxacan, but more as Omar, I see death as something present. It´s something that is a part of life and when you think about death, you begin to value a lot of things. Death is important to me because it’s a constant threat. If you think about dying now, you would probably do things that in another moment you would say, “I’ll do it later.” I see death as an opportunity to live a better life...a continuation of something," says Mexican ceramist Omar Hernández. Omar Hernandez is a Mexican ceramist born and raised in Oaxaca, Mexico. As a child, growing up in a family of potters he didn't have much interest in making pottery, but in his early 20's he realized he could do other things with clay that weren't necessarily utilitarian pieces. It was then that Omar started his skull...

A very cool and unique "Day of the Dead" three-piece Folk Art sculpture of Frida Kahlo & Diego Rivera signed by Mexican artist, Demetrio Garcia Agu...

Small ceramic art sculpture with a lion in egg hatching. Small realistic lion hatching egg sculpture. It is clay base ceramic and hand painted in vibrant colors, realistic and intricate high quality and detailed designs on the lion. There are cracks and openings that the artist painted onto the sculpture. Ceramic sculpture in egg depicting a lion breaking free from an egg. Signed on the side egg. This would make an amazing addition to any Mexican art pottery...

This large and striking Folk Art pottery sculpture is unsigned, but believed to have been done in Mexico or South America in a contemporary Folk Art style. The sculpture is a study of a young woman of color wearing a brightly printed dress and accessorized with large deep red rose earrings...

Capistrano Gemma Taccogna, a Mexican artist of Italian descent, left a distinctive mark in folk art with her mastery of papier-mâché for the small one, and of ceramic for the big one, which she transformed into an illusion of porcelain. Her style is immediately recognizable: faces with clean features, large, stylized eyes outlined in black, and a playful approach to form. These two vases, attributed to Taccogna, evoke Russian dolls known as Matryoshkas, due to the way the faces are painted, associated with the archetype of the mother of a large family, a symbol of motherhood and fertility. The larger one, a mix of ceramics and papier-mâché, and the smaller one, entirely made of papier-mâché, share this common aesthetic, reinforced by generous, solid shapes. Their gazes seem to observe without truly concentrating, as if absorbed in a distant thought. This lack of focus gives them a presence that is both peaceful and enigmatic, suspended between wakefulness and dream. The relief necklaces, applied with a deliberately naïve touch, add a sculptural dimension to the whole. The matte, textured material contrasts with the porcelain-like visual effect. One of the vases is signed "Bunny Price" and dated 1964, while the other remains anonymous. However, their attribution is unquestionable. Presented together, these vases belong to the movement of the Mexican craft...