Bronze Sculptural Lamp by Henry Étienne Dumaige

Austrian Orientalist bronze model lamp by Anton Chotka. This charming cold-painted bronze lamp depicts a busy scene of an open plan coffee shop within ...

Bronze lamp in the form of a townhouse by Bergman Austrian, circa 1900 Measures: Height 30m, width 17cm, depth 10cm This delightful cold-painted bronze lamp was crafted by the famous Viennese foundry owner, Franz Xavier Bergman. Franz Xavier inherited the Bergman Foundry from his father, Franz Bergman, in the 1890s. Bergman’s works were called ‘cold-painted’, meaning that several layers of paint were applied by hand to the bronze piece after it had been cast. The lamp takes the form of a tall, multi-storeyed timber and brick building. The house is faced with yellow plaster and roofed with red tiles. It is dotted with green-grilled windows of varying shape and size and features a small turret on its right side. A door opens on the left side of the middle storey, to allow access to the light bulb contained there. When turned on, the light produced by the bulb shines atmospherically out through the house’s colored windows. To the right of the building, a minstrel stands on stone steps, and sings along to a tune he plays on his mandolin. The hanging sign of a boot projects out from the house on the left, identifying the building as a cobbler’s shop. Indeed, the two large oak doors...

Figurative cold-painted bronze lamp by Franz Xaver Bergman Austrian, c. 1910 Measures: Height 46cm, width 19cm, depth 29cm This fine bronze la...

French patinated bronze lamp modelled as a putto French, circa 1900 Measures: Height 61cm, diameter 18cm Formed as a putto holding a wooden lamp, this Belle Époque piece is as m...

Sculptural modern lamp, believed to be Italian, circa 1960s. It has been rewired and is ready to use. The price noted below includes the shade.

Pair of sculptural white lamps, in the manner of Diego Giacometti, probably American, circa 1950s. They have been rewired and are ready to use. The pr...

Table lamp with black leather base of classical scroll form with gilt bronze and painted wood faux candle. With original aluminum uplight and two small European socket lights on the ...

organic form sculptural glazed ceramic lamp by Arpad Rosti. Dark blue-green and grey in color. Best known for his remarkably inventive lamps, trays and vessels designed in organic, free form shapes, Arpad Rosti was a highly versatile artist, equally at home in both the ceramics and enameling fields. While most of his work was done in either clay or metal, in the late 1940s he also ventured into furniture design when he produced a group of tables in treated wood, mosaic, copper, and glass. His one-of-a-kind furniture was exhibited in 1949 at the Chinese Gallery in New York and written up in the New York Times. As further evidence of his wide-ranging talents, in 1972 he was commissioned to produce a stained glass window for a residence in North Caldwell, New Jersey which New York Times critic Joan Cook described as “a miracle of color and light.” Born in Subotica, Yugoslavia in 1909, Rosti studied architecture at the School of Industrial Arts in Budapest. In 1940, he moved with his wife Ilona to the United States and settled in New York where he became a naturalized citizen in 1945. In 1947 his work was featured in an exhibition organized by the Craftsmen’s Equity and presented at the Barbizon-Plaza Galleries in New York. The organization, of which he was President, aimed to “put craft on a business basis without sacrificing the individuality inherent in handmade articles.” Throughout the 1950s Rosti’s work was regularly chosen for the prestigious National Ceramic Exhibitions at the Syracuse Museum of Fine Arts (now known as the Everson Museum). It was included in seven of these exhibitions between 1946 and 1958 and in 1947 Rosti’s work was singled out by the New York Times critic Edward Alden...