A Chinese Carved Jade Vase with Loose Ring Handles

This carved Nephrite Jade plaque of a mythical best has the attributes of a dragon and a fish leaping from the water. Carved we believe in the late 18th or early 19th century to be u...

This nicely carved bird figure is done in an 18th-century style but is from the very late 19th century to early republic period. The stone is a soft mellow celadon green with dark br...

This pair of jade plates are carved in a very delicate thin form allowing the stones natural striations and color to show through. The polish and luster are...

A pair of gilt bronze Grand Tour urns mounted on marble bases.

An emperor is commanding his attendants. The neck has foo dog handles and swirling multicolor clouds. Orange bats fly on the back of the vase.  

A large and impressive Chinese caved jade vase, Republic Period, circa 1930. Carved from one massive piece of jade. The vase carved with the He He Er Xian...

Museum quality, embossed copper planter with rare satyr theme. This stunning and superbly hand-crafted antique copper planter or vase is anothe...

A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.