Mexican Mixed Metal Chick attributed to Alexander Blazquez

A fertility figure from Teotihuacan in Mexico. Depicting a pregnant woman decorated in red triangles. In good condition with minor flaws. Approximately 14 1/2 inches tall.

A wonderful bronze abstract in the form of a female nude mounted on a terrazzo base. It is by the noted Mexican artist Jonas Gutierrez Castillo. It is signed Jonas 99 PA near the base. PA stands for Pruebas de Artista or Artist's Proof. The bronze has a beautiful warm brown gold patina. The base is a heavy terrazzo with lots of inclusions. The base has some losses to the edges which are pictured in detail. The bronze has some patina inclusions or spots, pictured as well. One of the artist's more notable works is a massive bronze title the The Stone Eater on Puerto Vallarta's Malecon. We've attached a biography of the artist courtesy of Galleria Dante of Puerto Vallarta, Mexico below: Born in Guadalajara, Jalisco in 1966. The artist began to sculpt at an early age. In 1980, he helped create the monumental public sculpture "La Estampida", which is located at a busy intersection in his hometown, near the emblematic building of the Hotel Riu. Jonás Gutiérrez is known in Puerto Vallarta for his monumental 2.4-meter-high bronze and obsidian sculpture...

Mexican Modern mixed metal bird sculpture by Alexander Blazquez. Mexico. 1960s.

Capistrano Gemma Taccogna, a Mexican artist of Italian descent, left a distinctive mark in folk art with her mastery of papier-mâché for the small one, and of ceramic for the big one, which she transformed into an illusion of porcelain. Her style is immediately recognizable: faces with clean features, large, stylized eyes outlined in black, and a playful approach to form. These two vases, attributed to Taccogna, evoke Russian dolls known as Matryoshkas, due to the way the faces are painted, associated with the archetype of the mother of a large family, a symbol of motherhood and fertility. The larger one, a mix of ceramics and papier-mâché, and the smaller one, entirely made of papier-mâché, share this common aesthetic, reinforced by generous, solid shapes. Their gazes seem to observe without truly concentrating, as if absorbed in a distant thought. This lack of focus gives them a presence that is both peaceful and enigmatic, suspended between wakefulness and dream. The relief necklaces, applied with a deliberately naïve touch, add a sculptural dimension to the whole. The matte, textured material contrasts with the porcelain-like visual effect. One of the vases is signed "Bunny Price" and dated 1964, while the other remains anonymous. However, their attribution is unquestionable. Presented together, these vases belong to the movement of the Mexican craft...