Large French Bronze Sculpture “Winner of Cockfight" by Falguiere & Thiebaut

HIPPOLYTE ALEXANDRE JULIEN MOULIN French, 1832-1884 "Une Trouvaille à Pompéi" (A Find in Pompeii) Sand-cast and patinated bronze Signed on base "Moulin", sealed with foundry cache...

ETIENNE-HENRI DUMAIGE French, 1830-1888 "Camille Desmoulins at the Palais Royal" (1882) Sand-cast patinated bronze signed in base "H. DUMAIGE" conceived in 1882, executed circa 1890 stock ref. C104802 38 1/8" H x 11 7/16" D x 11 5/16" W Essay Exhibited in plaster at the Salon of 1882 (no. 4331), Dumaige's statue of Camille Desmoulins has become well-regarded as one of his most powerful compositions. The original was given by Dumaige to the Musée de Rouen. It captures Desmoulins delivering his powerful and poignant call to arms before the Bastille storming, the drama of the scene almost operatic as he knocks the chair over behind him, grasping the loose pages of his speech in his closed fist while he loses himself in the rhetoric. Camille Desmoulins was a French journalist, lawyer, and revolutionary, recognized for his pivotal role in the French Revolution. Born in Guise, France, he studied law at the Collège Louis-le-Grand in Paris, where he befriended future revolutionary leaders, including Maximilien Robespierre. Desmoulins gained prominence on July 12, 1789, when his impassioned speech at the Palais-Royal incited the storming of the Bastille two days later, marking a critical moment in the Revolution. As a journalist, Desmoulins founded and edited Les Révolutions de France et de Brabant, a radical publication that criticized the monarchy and aristocracy. His writing was instrumental in shaping revolutionary sentiment, blending incisive political critique with populist rhetoric. Despite his early radicalism, Desmoulins later advocated for moderation during the Reign of Terror, aligning himself with the Dantonist faction. This shift ultimately led to his downfall. Arrested alongside Georges Danton...

EUGENE MARIOTON French, 1857-1933 "Vainqueur" Dark-brown patinated bronze signed "E. Marioton", foundry cachet for Siot-Decauville, cold-stamped D718 cast circa 1910 stock ref. ...

"HARVESTER" AFTER A MODEL BY MATHURIN MOREAU (FRENCH, 1822-1912) In a reddish-brown and golden patinated bronze; signed in base "Math. Moreau" Item # 012SKP14W A fine model of a rural young farmer resting against a rocky outcrop to sharpen his scythe, the base of which has been set in the hay collected in a pile beside the rock; the naturalistic base is signed along the back in his typical nearly cursive script "Math. Moreau". It is a complex model and a fine accomplishment for the foundry, the joints seamlessly flowing into one another without any obvious connections. The surface is chiseled with great care, resulting in fine detailing of the toes and fingers to include the wrinkles at each joint and texturing of the nails, crisp eyelids and flawless skin, gorgeous texturing of the garment...

A French bronze figure of Atalanta with a «Fumiere et Cie» mark on the base. Atalanta the famous virgin huntress.Atalanta raced all her suitors and outran all but Hippomenes, who de...

A French bronze statue of Hippomenes throwing apples while racing, titled «Hippomène Lanceur De Pommes D’or» with a «Fumiere et Cie» mark on the base. Except for Hippomenes, Atalanta...

A fine late 19th century Louis XVI style gilt and patinated bronze sculpture entitled "Enfant à la Cage" on a malachite veneered marble base. Thiebaut Freres...

A superb quality bronze sculpture of Cupid with his bow by the renowned French artist Gustave Doré, made in Paris, France, c. 1876. Entitled ‘Amour lançant une flèche’ in French, th...