19th Century Bronze Miniature Portrait Frame by Jean Derval

Dutch 19th Century silver double miniature portrait frame. A double portrait in a silver frame. On the back which is gilded with the text Souvenir 1820. Souvenir - or the meaning...

A small portrait of a woman in a oval bronze frame, 19th century. An oval portrait of a seated woman with a white fabric bodice and blue striped skirt with flowers in the left han...

Dutch 19th century small silver photo frame A Dutch small standing silver photo frame in mirror image 19th Century. Dutch silver photo f...

Miniature portrait of a distinguished lady, signed Stieler. Bronze frame behind oval round glass, 19th century Signed Stieler, Joseph Karl Stieler (1781- Mainz - 1858 Munich) was a German painter. The size is 10 cm x 7.5 cm x 1 cm 1820-1830 From 1820 until 1855 he worked as royal court painter of the Bavarian kings. He is known for his Neoclassical portraits, especially for the Gallery of Beauties at Nymphenburg Palace in Munich. Born in the city of Mainz to a long-established family of engravers, punchcutters and die makers, Stieler received some artistic training from his father, August Friedrich Stieler (1736–1789). After the early death of his father, Joseph Karl autodidactically completed his apprenticeship and began his career as a painter of miniatures, which were increasingly sought after by bourgeois circles After Mainz had been occupied by French revolutionary troops in 1792, Stieler followed the expelled court of Prince-Archbishop Friedrich Karl Joseph von Erthal to Aschaffenburg. Here he met with the later Archbishop Karl Theodor Anton Maria von Dalberg, who became his most important patron and sponsor. From 1802 to 1805 he attended the Academy of Fine Arts Vienna in the master class of Heinrich Füger. Stieler's portrait style was most especially shaped during his work in the Parisian atelier of François Gérard, a student of Jacques-Louis David. In 1808, he established himself as an independent portraitist in the city of Frankfurt and in 1810 travelled through Italy. From 1812 he worked at the court of King Maximilian I Joseph of Bavaria. In 1816, he again travelled to Vienna to paint the portrait of Emperor Francis I of Austria. Between February and April 1820, he worked on his portrait of Ludwig van Beethoven, which is probably the most well-known representation of the composer today. In 1847 he also painted the portrait of Lola Montez...

" Gilded bronze photo frame, 19th century. " Frame, family photo holder forming a fan in gilded bronze, 19th century antique, Napoleon III period. h: 25cm, l: 34cm, p: 6cm

A Stunning Late 19th Century Gilt Bronze, Enamel and Porcelain Frame with Glass Portraits of Royal French Women The two oval glass painted portraits, one of Marie Antoinette and the...

19th Century French Gilt Bronze Neoclassic frame.

Pair of porcelain and enamelled portraits featuring a man and a woman of the 17th century. It is most likely a portrait of Louis XIV and Maria Theresa of Austria. The two porcelain m...