Inlaid Tortoise Shell, Veneered Mantel Clock Signed Balthazar à Paris

A bronze figural clock by Deniere, Paris, circa 1870. Modeled as Cupid seated on his bow and quiver, a dove at his rear, the enamel dial signed Deniere Ft...

Rene Lalique molded grey glass "Le jour et la nuit" (Night and Day) MANTEL CLOCK Circa 1926. Signed R LALIQUE. The circular clock with nude figures su...

Fine three-piece clock garniture, France An Egyptian revival three-piece marble and bronze clock garniture Late 19th century Measures: Clock height 15.5 in. (39.37 cm.) Obelisks...

Continental Metal-Mounted Onyx Mantle Clock Early 20th Century. The temple-form body with free-standing columnar supports, a brass dial with Arabic numerals, the movement replaced w...

Edwardian Mahogany Inlaid Mantel Clock Edwardian mantel clock housed in a break arch mahogany case with walnut panels and satinwood line stringing , brass pillars to either side wit...

This mantel clock beautifully illustrates the classical myth of ‘The Abduction of Europa’. In this story, the god Zeus falls in love with a mortal woman called Europa. To seduce her, Zeus transforms himself into a white bull. Europa then mounts the bull and Zeus whisks her away from her home to Crete. Europa becomes the Queen of Crete and bears Zeus several children. The clock takes the form of a patinated bronze bull which is saddled with a gilt bronze (ormolu) clock case. This case features a circular white enamel dial with black Roman and Arabic Numerals, as well as the maker’s name ‘Michel Baltazar...

Gilt bronze and marble mantel clock, signed F. Berthoud, Paris, France, early 19th century. Clock works.

Fine antique Regency inlaid marquetry mantel clock having an outstanding inlaid marquetry case, octangular shaped top with pretty ornate brass mounts, b...