Antique French Egyptian Revival Mantel Clock Bronze Sculpture “Cleopatra"

ART DECO FIGURAL MANTEL CLOCK Anton Grath (Austrian, b. 1881) patinated and burnished bronze over marble signed "Anton Grath" and foundry marking monogrammed "HW" within an "H" to right side of base Circa 1925 Item # 203AXG01W A powerful figural clock of a partially nude male and female raising offerings of a laurel wreath and an empty vessel, they face one another before the bold architectural display of the clock flanked by coned finials. They are loosely symmetrical in garb, the burnished bronze capes flowing gently around and before them. The circular face of the clock rests on a pair of sleeping lions over a textured bronze rectangular plinth with a burnished bronze bas-relief of a young woman lying in the grasses of a setting sun raised on a variated marble base. This model was acquired formerly at the Sotheby's, New York sale on April 14th 2008, [Sale N08427, lot 155, achieved $ 5,000 USD] and the patina was enhanced at some point in the last fourteen years to include the parcel-burnished highlights in the figures. The right side of the base includes the signature and a monogrammed foundry mark (HW within an H). A very fine period example. Artist Listings & Bibliography: *E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 592-593 *The Dictionary of Western Sculptors in Bronze, Mackay, Baron, 1977, p. 166 *Art Bronzes...

EMPIRE ORMOLU BRONZE FIGURAL MANTEL CLOCK OF CERES, GODDESS OF AGRICULTURE Movement by Etienne Tavernier; France, circa 1815 Item # 104HWG22Z A fine Empire period mantel clock with bun feet raising a rectangular base with a central portrait of Bacchus flanked by exquisitely chiseled motif of swirling foliage surmounted by a figure of the goddess Ceres grasping in her lowered hand a wreath woven with foliage and berries while in her garment she collects a bountiful harvest; she rests beside the clock tower with a framed lens opening to access the white enamel dial with black Roman numerals inscribed Etn. Tavernier set with Breguet style hands, raising an urn filled with fruits of the soil; against the tower rest the implements of labor, a shovel and flat rake. The movement is engraved "B". A significant clock movement maker, Etienne Tavernier (French, 1756-1839) is listed in Tardy's horology reference as working closely with the house of Abraham-Louis Breguet as well as providing clock movements...

LOUIS JULIEN (JULES) FRANCESCHI French, 1825-1893 The Goddess Isis Patinated bronze signed to the edge of base "J. FRANCESCHI" cast circa 1890-1900 Item # 409LRJ22W A very fi...

EGYPTIAN REVIVAL STYLE ROSEWOOD AND LEATHER WRITING DESK Baker, United States with original silver plaque inside drawer late 20th/early 21st century Item # 407ENV09Q A lovely exam...

A highly unusual 19th Century Egyptian Revival Mantel Clock. Wonderful design architectural clock case with pagoda top, made of high quality red marble and black slate, all exquisite...

An antique Egyptian Revival mantel clock by Herschede offers slate case in architectural form and having marble facing, maker mark as photographed, c1890 Measures- 11.5''H x 9.25''W...

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

Egyptian Revival Bronze and Marble Mantel Clock Egyptian revival mantel clock housed in a polishes black slate and marble stepped case, decorated with winged uraeus and hieroglyphs, surmounted by a patinated bronze sphinx wearing nemes and resting on lions paw feet. Enamel dial with Arabic numerals and original ‘blued’ steel hands. Eight day French movement with anchor escapement striking the hours and halves on a silvered bell. The backplate signed Societe Clusienne S.C.A.P.H. Cluses and numbered 4144. C.1870 Societe Clusienne were based in Cluses near to the Swiss border in France. The case attributed to G.Servant Georges Emile Henri Servant ( 1828-1890) succeeded his father at their foundry at Rue Vieille-du-Temple, Paris in 1855. He specialised in the production of Neo-Egyptian style clocks. He was noted for the high quality of his bronzes at both the Paris Universal Exhibition 1855 and the London Exhibition in 1862. Many of his clocks were exported to the United States where his Sphinx clocks...