Egyptian Boxes

This beautiful vintage round trinket box, crafted from smooth stone marble, offers both timeless elegance and functional storage. Its natural marbling features delicate swirls of ear...

This is a gilt bronze repousse rectangular jewelry/decorative box. It features in the top of the lid a scene of Don Quixote riding his horse at the sam...

Handcrafted sculptural studio jewelry box . Amazing craftsmanship with two sliding sides that reveal compartments for rings. The compartments are felt lines. Signed. Ring box when...

Stunning mosaic design and gorgeous craftsmanship. The board/box is made of various wood, mother-of-pearl, and bone inlays. A genuine work of art. A set of backgammon pieces...

Art Nouveau silver plated repousse tobacco or jewelry box The top, front, sides and back are beautifully cast and feature panels with images of birds...

Lovely etched and scalloped silver plate trinket box - with a removable lid and lined in red velvet. The lid has an acorn finial. A compli...

An essential and elegant box made in Italy that can contain whatever you want, cigarettes, business cards or use as a jewelry box. Dating back to around the 70s, it is made of traver...

Vintage hand carved melon form box with Mother Of Pearl floral inlays highlighted with gilt striping and scroll work. The interior of the box is painted in black lacquer. Japan, ear...

A fabulous glass and brass lidded trinket box, circa late 1960s..The box is made of a thick clear glass with bronze latch and trim. The set is in ...

Ornate white metal trinket or ovale box hand-made/bejeweled with agate stones set in 3 floral patterns to its unhinged lid. Made in Spain or North Africa during the 1960s or 70s. Its...

A black resin rectangular box with mosaic inlaid mallard duck bird on pond with cattail plant flower; all inlaying was done by hand with natural materials...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...