George III Steel Fire Dogs

This pine chimneypiece has a swan-neck pediment supporting three pedestals, with dentil and leaf borders. There is a central limewood oval portrait of Robert Marsham, 2nd Baron Romney carved in relief and suspended by acanthus and tied ribbons. The frieze below is also applied with limewood carving of naval trophies, emblematic of seamanship and learning, flanking a central tablet depicting a reclining Marine Society boy. The supports are composed of large fluted columns with Ionic capitals and edged with egg and dart borders and leaf-carved mouldings. English, 1775. Provenance: Supplied by Mr. Tousey for the Committee Room of the Marine Society at No. 54 Bishopsgate Street, London, in April 1775 at a cost of £30.15s 6d removed to Clark’s Place, Bishopsgate Street, London, in 1891 Published: Woodman, Richard “…..of daring temper 250 years of the Marine Society.” London 2006, pp 24-25. Bosanquet, Henry T. A., The Marine Society, A Catalogue of the Pictures and other Works of Art, 1905, p. 14. The Marine Society is the world’s oldest public maritime charity and was the brainchild of Jonas Hanway. In 1756, at the beginning of the Seven Years’ War, he reflected on Britain’s woefully undermanned and ill-equipped navy. His idea was to ensure that young men and boys who wished to ‘learn the duty of seaman…shall be handsomely clothed and provided with bedding, and their charges born down to the ports where His Majesty’s Ships lye with all other proper encouragement.’ During the ensuing hostilities the Society equipped 5,140 men and 4,787 boys for the Navy. In 1793 Admiral Lord Nelson, a governor of the Society, requested 20 lads to join his 64-gun ship Agamemnon at Chatham. By the Battle of Trafalgar in 1805, at least 15% of British naval manpower was being supplied, trained and equipped by the Marine Society. By 1774, the Society had outgrown its offices in the Royal Exchange and moved to 54 Bishopsgate Street. Detailed minutes of the weekly Committee meetings describe the furnishing of the Society’s new Committee Room, including ‘a carved chimneypiece...

A carved fire surround from Sir Winston Churchill’s drawing room. This carved pine fire surround combines elements of both Rococo and Palladian designs. It has a shaped cornice abov...

A George III gallery magnifying glass, the circular glass within a mahogany frame, the baluster handle screwing into a brass bracket in the rim, the handle with a brass collar. Engli...

A George III mahogany display bookcase, of tall rectangular form with astragal glazing and an unusual arrangement of shelves and drawers, the lower se...

A Georgian style steel fire grate. The serpentine shaped fret with flutes, beading and engraved paterae. The four finials of urn shape, sat on square plinths with matching paterae, a...

A George III style polished steel firegrate. The deep fret nicely pierced and engaved with storks and flower, the wings engraved with swags and ribbons. Engraved urn finials and tape...

A fine quality George III steel register grate. The pierced, fluted fret with double scrolls and beaded molding and gadrooned pateras. The front panels with oval paterae, surmounted ...

A large polished steel firegrate in the late Georgian style. The pierced, fluted fret with beading above and below, the burning area with shaped front bars, flanked by steel finials....