Antique Chinese Qing Dynasty Carved Rose Quartz Hotei Buddha Statue & Stand 1910

A fine set of four antique Chinese Qing dynasty carved rosewood dragon chairs, circa 1880. Each chair is finely carved crest with two facing drag...

A large & important pair of rare antique 19th century Indian Polychromed & hand carved stone Dvarpala (temple door guard) statues, circa 1850. Each statue is hand carved as a male Hindu four armed temple guard, the guards holding a mace (Gada) and one hand on a dagger (Katar), another hand holding a lotus flower to represent spiritual enlightenment. Each guard stands crossed legged on a plinth decorated with an elephant, both statues retaining old and yet brightly colored polychromed decoration, the statues are approximately 3/4 lifesize. They are a true pair facing each other and would have flanked either side of the temple door entrance, they are large and very heavy, each figure weighs about 300lbs. A rare & important pair of carved 19th century stone temple guards...

A fine pair of Monumental antique Chinese late Qing dynasty period Famille Rose Porcelain vases. The vases of baluster form with applied handles modeled as dragons, each vase is very finely a hand-painted with polychrome scenes of immortal figures in a garden setting. Each vase having a red Qianlong six character mark to the base. Excellent condition, no damage or retoration. This monumental pair of antique...

Antique pair of Chinese Qing dynasty side serving table tables, circa 1860. This near pair of antique Chinese tables having a carved & reticulated skirt on all four sides, both table...

This exquisite antique Chinese Qing Dynasty belt hook showcases the fine craftsmanship and intricate artistry typical of the period. Carved from pale green jade, the piece features a...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

Chinese, framed in the mid 20th century, carving is earlier. An antique Chinese carved and gilt wood bonsai planter with floral arrangement stemming from ...

This magnificent Chinese antique wood carved Happy Buddha statuary has very detailed hand carving works on it. It is all hand made and hand...