16-17th century Very special antique Burmese alabaster Buddha statue from Burma

Very special antique bronze Burmese Buddha statue Material : bronze 36,8 cm high 18 cm wide and 10,5 cm deep With traces of the original lacquer and 24 krt. gilding Ava style Bhumisp...

Material: marble 86 cm high 50 cm wide and 31 cm deep Weight: 112.95 kgs Shan (Tai Yai) style Bhumisparsha mudra Originating from Burma 17th century Still in very good condi...

Material: marble 81,5 cm high 47,5 cm wide and 24 cm deep Weight: 72.45 kgs With the original lacquer and 24 krt. gilding Ava style Bhumisparsha mudra Originating from Burma 17th ce...

Material: bronze 78,5 cm high 53 cm wide and 37 cm deep Weight: 40.75 kgs With light traces of 24 krt. gold Ava style Bhumisparsha mudra Originating from Burma 17th century Buddha s...

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Age: Burma, Shan Period, 17th Century Size: Height 25.8 C.M. / Width 12.1 C.M. / Thick...

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Age: Burma, Shan Period, 17th century Size: Heig...

A large and magnificent cast bronze image of the Medicine Buddha, Bhaisajyaguru, rendered in the Burmese Pagan style, and most likely based on a period example that was either damaged or lost, 19th century, Burma or Thailand. He can be identified as the Medicine Buddha by the hand that rests in his lap, with his middle finger touching the thumb. A medicine pot or fruit stem would originally have been placed in his upturned palm. The face of this Buddha has been sculpted masterfully. He has a beautiful heart shaped face topped by hair neatly arranged in the typical "snail shell curls", and surmounted by a high ushnisha. Long, pendulous earlobes frame his face, a symbol of his princely past. He gazes serenely outwards from heavily lidded, downcast eyes, a content smile upon his full, lush lips. The Buddha is portrayed seated in vajrasana (full lotus position), his elegant hands displayed in varada mudra, the gesture of granting favors and fulfilling wishes. Long, exquisite fingers extended, the thumb and middle finger touching in a gesture of compassion. He is clothed in a simple kasaya wrapped around his body and over one shoulder, leaving the shoulder and part of his chest bare. The diaphanous garment clings to his body, outlining his well proportioned and graceful, almost sensuous, form. The excess material pooled in neat pleats in front of him. A sash thrown over his shoulder. He sits upon a double lotus base upon a raised platform. The platform features two kneeling attendants, usually interpreted as the monks Ananda and Kasyapa. Between them is a circular disc representing the Wheel of Dharma. Contained in the disk is a flower with eight petals, symbolizing the eightfold path, one of the principle teachings of the Buddha. The sides and back of the platform featuring a series of singha, or lions, representative of the Buddha's royal past. An applied lacquer patina covers the entirety of the image. Large deposits of ash (from incense) are present between the curls of the hair, as well as some the other crevices, indicating this image was the subject of worship for many years. Bhaisajyaguru, also called the Medicine Buddha, or Buddha of Healing, is a revered figure in the Buddhist pantheon as a master able to cure suffering, both physical and spiritual, through his teachings. The Pagan Empire ruled most of present day Burma (Myanmar) from 849 to 1297. The capital, Bagan, served as a both the center of government and religion, where Buddhism reigned supreme. Bagan was also at a crossroads of the Buddhist world, with influence from India, Nepal, Tibet, China, and even Indonesia shaping their culture. As such, Pagan Buddha...

A gorgeous and refined Burmese crowned and adorned seated bronze Buddha, Kingdom of Arakan, Mrauk-U period, 17th century. The Buddha is portrayed seated in vajrasana upon a high double lotus pedestal, hands in dhyana mudra, a ritual vessel resting in his upturned palms. He is festooned with jewelry – armlets, bracelets, anklets, a double necklace, a jeweled belt, and large earrings. His hair done up in a high chignon, covering the ushnisha, and topped by a stupa shaped finial. The Buddha wears a large five pointed crown tied with ribbons that flare dramatically behind either ear, and a thin scarf...