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Vintage kimono textile art "Snowflake ~New Beginnings~" by ikasu Purple, Japan

About the Item

Six canvases (Diameter approx. 30cm, 25cm, 20cm) use the fabric taken from antique kimono, its' various parts, to create one harmonious fluid image of a snowflake - a symbol of new beginnings in Japan. << Period / Story >> The kimono used for this canvas was created during the late Showa period (1960-80ies). << Explanation and meaning of pattern and colors >> In Japanese tradition, the snowflake motif (雪華, sekka) carries deep cultural symbolism. It represents purity, transience, and the fleeting nature of life. Snowflakes, with their delicate structure and short-lived beauty, align with the concept of mono no aware (物の哀れ), the Japanese aesthetic appreciation of the ephemeral nature of things. This concept reveres beauty in its impermanence, reflecting the Buddhist-inspired idea that all things are transient. Snowflake patterns in art, kimono, and textiles are particularly popular in winter designs, symbolizing peace, serenity, and clarity. The symmetry and delicacy of snowflakes also embody a sense of elegance and refinement, qualities often admired in Japanese art and aesthetics. In traditional kimonos, the snowflake motif can add a touch of seasonal beauty and evoke feelings of quiet winter landscapes, enhancing the garment's connection to nature and the changing seasons. << Characteristics of the fabric >> Shibori is a traditional Japanese dyeing technique that involves folding, twisting, binding, or stitching fabric before dyeing to create intricate patterns. This resist-dyeing method results in unique, organic designs, often characterized by soft, blurred edges and beautiful contrasts, commonly seen in indigo-blue hues. Snowflakes and small plum flower buds are created by shibori dyeing here.
  • Creator:
    Kimono ikasu (Artist)
  • Dimensions:
    Height: 0.79 in (2 cm)Diameter: 11.82 in (30 cm)
  • Style:
    Japonisme (In the Style Of)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1970ies
  • Condition:
  • Seller Location:
    Setagaya City, JP
  • Reference Number:
    1stDibs: LU10079243793552

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The art piece uses two sides - front and reverse - of the same kimono, to show beautiful sea surrounding Japan, in hues and in late sunset, as a timelapse. The frame for this work is made of paulownia wood taken from antique Kiritansu - chest-of-drawers for kimono. I use antique kiritansu that can’t be used as furniture anymore to create basis and frames for my works. It adds them even more authentic atmosphere of traditional wabisabi spirit. Can you feel it? << Period / Story >> The kimono used in this piece was originally crafted during Showa period (around 1960ies). << Explanation and meaning of pattern and colors >> Sea waves, depicted in two color variations here, are a symbol of transience and Impermanence in Japanese culture. The ebb and flow of the tides, the ever-changing currents, and the relentless motion of the waves serve as reminders of the fleeting nature of life. This artwork featuring the sea convey themes of impermanence, reminding viewers to cherish the present moment and appreciate the beauty of life's fleeting moments. The theme of impermanence is strengthen by two colors of the sea - the lighter in early hues and the darker when the sun is just about to set in the sea. << About the frame >> This artwork frame is crafted from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos, and it serves to convey the refined beauty of Japanese nature. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. Paulownia wood is closely linked to kimono culture. During the Edo period (17th cent.~), it became customary to store cherished kimonos in paulownia chests...
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Fabrics featuring iconic Japanese plants like chrysanthemum, maple, and bamboo were gathered from various long underwear and kimono pieces to create a set of canvases (diameter 30, 25 and 20cm) showcasing exquisite gradations. The top canvas, in pristine white, originates from long under-kimono, while the middle and bottom canvases are skillfully upcycled from kimono fabrics. << Period / Story >> The long under-kimono and kimono fabrics used in these canvases were originally crafted and worn during the late Showa period (1960-80ies). << Explanation and meaning of pattern and colors >> The pattern on the top canvas features a chrysanthemum, an auspicious emblem symbolizing longevity. It is affectionately referred to as the "raccoon dog chrysanthemum" due to the large, overlapping petals resembling the fur of a muzina, a creature similar to a raccoon dog or badger. This motif is highly popular in various plant-inspired designs and frequently seen in Edo komon, katazome, and jimon textiles. The top canvas naga-juban under-kimono, being entirely white and devoid of any additional dyes, suggests its use as formal wear. Its pristine white hue accentuates the silk's luster when exposed to light and highlights the beauty of the woven patterns. The fabric used here is rinzu, a type of fabric thinner than crepe de chine, characterized by its soft, smooth texture and subtle sheen. This particular lintel distinguishes itself with the way its ground pattern emerges and also incorporates a woven chrysanthemum pattern. The central canvas showcases a maple tree, symbolizing longevity, which changes its colors with the seasons, bringing joy and happiness to people's lives. The bamboo featured on the lower canvas has been regarded as a symbol of good fortune since ancient times, given its straight and vigorous growth, along with the Chinese legend that a phoenix consumes its fruit. It embodies concepts such as "immortality," "longevity," and "strength" because it remains green even in winter. The hollow stem also signifies "innocence," suggesting that there are no hidden agendas. All three canvases are adorned with ground patterns that, when viewed from a distance, appear as modern works of art, yet upon closer inspection, they reveal a distinct Japanese ambiance. << Characteristics of the fabric >> All three canvases are made of fabrics with jimon. The unique and high level of Japanese weaving...
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