Rare Triptych Scroll Paintings by Watanabe Seitei Meiji Period

A Japanese mounted vertical hanging scroll painting by Mori Tetsuzan (Japanese, 1775-1841) circa 19th century Edo period. The watercolor and ink on silk ...

Two Japanese scroll painting depicts scenes from the Tale of Genji (Genji-E), from Edo period. These painting were purchased from Odewara Shoten in the...

A Korean Folk Art painting mounted as a hanging scroll. The watercolor on paper was likely dated from 1930s-1940s. The work depicts a "Jakhodo" theme (...

A fine matching pair of hanging scrolls ink on paper mounted in green brocade borders circa Edo period (17-18th century). The Kano school painting depicts wild geese in the reeds by the margin of water, a popular subject borrowed from the Chinese tradition. Both painting were signed as Tanyu with a red seal of Morinobu, his birth name. The storage box is also present and was inscribed with the title Painting of Geese and Reeds and Kano Tanyu...

This is a wonderful example of a Meiji Period screen painting of Japanese Tanuki or racoon dogs in a landscape. The Tanuki is considered to be a mythical creature Japanese culture. T...

Fuko Matsumoto, order of the rising sun, Size: Axis, vertical 212.5 cm next to 84.7 cm Painting, vertical 140.8 cm horizontal 66.7cm ? Differs slightly in size. Condition: The state is good, but, wrinkle-thin stain Biography Fuko Matsumoto 1840-1923 Japan painter. Ibaraki prefecture production. Imperial Art Academy member. Fuko was born as the 3rd son of Matsumoto Soan in Kawachi County of Hitachi Province (Now Inashiki City of Ibaraki Prefecture) on September 14 of the 11th year of the Tenpo era. His real given name was Toshiro. In 1853, when Fuko was 14 years old, he went to Edo and studied painting under Oki Ichiga, who was an official painter of Tottori Domain. Ichiga was a painter who studied the Kano, the Rinpa and the Nanpin styles, and was good at expressing flowers & birds in deep colors. Later, Fuko studied painting under Satake Eikai, who was best pupil of Tani Buncho...

Anonymous. Korean, 17th century. Joseon period. Hanging scroll. Ink on paper. Seal: Shinso Dimensions: Scroll: H. 200 cm x W. 31 cm (79” x 12”) Image: H. 122 cm x W. 29.5 cm (48” x 11.5”) The grapevine came to China and then Korea from western Asia via the silk road trade routes. By the mid-Joseon period, it was one of the most popular subjects for Korean literati painters. Grapevines were painted as a singular subject or, less commonly, in combination with squirrels, which are associated with children due to their playful nature. Together, grapevines and squirrels embody wishes for abundant offspring and wealth. For the Korean literati artist the twisting vines, curling tendrils and round, plump grapes provided ample opportunity for expressive "brush play”. In this painting the artist has abstracted the scene and is seemingly unconcerned with discontinuities and proportion. Vines spring up from nowhere, grapes hang in random clusters and the squirrel’s head appears as if twisted backwards. For the vines and leaves we can feel a sense of speed in the brushstrokes, imparting a dynamic feel which is at once intense and animated. This contrasts dramatically with the countless tiny strokes of ink which realistically capture the texture of the squirrel’s fur...

Some errors will occur in the dimensions. Please understand. Status I don't know the details of the author, but this item is hand-drawn rather than printed. Measures: Axis vertical ...