Balinese Traditional Painting by W. Erawati

Antique Thai Vessantara Jataka Scene Painting on Cloth, Rattanakosin School, 19th Century. A classical scene from chapter 12 in the next-to-last life of the Buddha wherein Vessantara...

Antique Thai Buddhist Scene Painting on Cloth, Rattanakosin School, 19th Century. A classical scene of Prince Siddhartha renouncing the world of the pleasures of privilege. The centr...

Antique Thai White Elephant Painting on Cloth, Rattanakosin School, 19th Century. A painted scene of two white auspicious elephants in a landscape setting. In Thai Buddhist folklore,...

Chinese Pair of Calligraphy Scrolls, vertical lines of calligraphy executed in a light style, right reading: “Moon Rises and the Candle has no Effect” and the left reading: “Wind Ris...

19th century elephant painting by unknown Balinese artist. A vibrant figural painting with a white elephant in black and matted frame. Color on clot...

Mythical Balinese Painting in Original Carved Frame by W Rejamus Wonderfull detail and incredibly colourful characters, very well executed, all in all a very interesting piece and s...

Spectacular large Balinese Painting on Silk with an outstanding bamboo and woven rattan frame. This marvellous painting was realized in Bali around the 1960s and is signed on the bot...

Theo Meier (1908-1982) “A Balinese woman with offerings” Signed, dated '36 and annotated Mankok (the name of the sitter) lower left Sanguine on paper, measures: 57 x 41.5 cm In a handmade and hand painted frame with address: Max Kno¨ll, Herberggasse 4/1, Basel. Provenance: Private collection, Basel (acquired directly from the artist) Private collection, London Note: Theo Meier was born in Basel, where he attended art school and became a successful portrait painter. However, after visiting an exhibition in Basel of Tahitian paintings by Paul Gaugin, he decided to follow in Gaugin’s footsteps and go to the South Pacific. To finance his voyage, he founded a club in which every member pledged a monthly sum in return of which they could choose one of Meier’s paintings upon his return. In 1932, at the age of 24, he embarked on his voyage to the South Sea. In Tahiti, he certainly discovered the beauty of the colours of the tropical world but the simplicity of the inhabitants, he had seen in Gaugin’s paintings turned out to be more in the artist’s fantasy than in reality. He returned to Basel but in 1935 again was on his way to the South Sea. In 1936 he arrived in Bali, planning to stay there for two or three weeks, but thirty years later he was still there. In Bali “a delirium laid hold of me which even today has not subsided”, he was to write much later. The present drawing was made during his first “delirius” year in Bali. In Bali, he settled and found inspiration and friendship with other artists including Walter Spies...