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Antique Gilt Bronze Islamic Calligraphy Lion Table Lighter Lamp Aquamanile 1860
About the Item
A good antique cast & gilt bronze Islamic engraved lion shaped aquamanile or table lighter/lamp, circa 1860.
The gilt bronze figure is finely modeled as a lion with engraved decoration and two engraved panels of calligraphy on each side of the lion's body. The lamp has an oil reservoir to the interior and the lamp can be filled through the head which has the original; plug, a wick would be inserted through the mouth, the original cover & chain are present when so often they are missing.
Condition is excellent.
- Dimensions:Height: 5.32 in (13.5 cm)Width: 5.52 in (14 cm)Depth: 1.97 in (5 cm)
- Style:Islamic (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1860
- Condition:Wear consistent with age and use. Very good condition.
- Seller Location:Portland, OR
- Reference Number:Seller: BB-83251stDibs: LU4876138023912
About the Seller
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- ShippingRetrieving quote...Shipping from: Portland, OR
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Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs.
Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs.
The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved:
1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry.
2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal.
3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns.
4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs.
5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect.
While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible.
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Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship.
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